音乐混搭:当前澳大利亚版权含义,道德权利和公平交易在混音时代

Wellett Potter
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引用次数: 4

摘要

本文讨论了一种日益流行的数字音乐表达形式——音乐混搭(music mashup)——可能对澳大利亚版权产生的影响,这种混搭大部分是在未经版权所有者许可的情况下,从已有的音频/录音和视频中创建的。在研究这一问题时,对最近的拉里金音乐版权侵权案件的法院分析进行了审查。本文还考虑了音乐混搭创作对道德权利的影响。在假设的情况下,音乐混搭艺术家被指控侵犯版权,考虑到适用1968年版权法(Cth)下的公平交易例外的可能结果。最后,对该领域今后的法律改革方向提出了建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music Mash-Ups: The Current Australian Copyright Implications, Moral Rights and Fair Dealing in the Remix Era
This article discusses the likely Australian copyright implications of an increasingly popular form of digital music expression: the music mash-up, a majority of which are created from pre-existing audio/sound recordings and video without permission of the copyright owner. In examining this issue, the analysis of the courts in the recent Larrikin music copyright infringement cases are examined. Consideration of the implications of music mash-up creation to moral rights is also considered. In the hypothetical scenario that a music mash-up artist is accused of copyright infringement, consideration is given as to the likely outcome of the application of the fair dealing exceptions under the Copyright Act 1968 (Cth). Finally, a suggestion is made as to the direction of future law reform in this area.
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