Julius Zeyer和Stanisław Wyspiański。批判民族神话的现代主义工程

J. Mielczarek
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引用次数: 0

摘要

捷克和波兰现代主义对民族神话的批判,一般来说,是艺术家与自己的文化传统进行讨论的一种形式,这种文化传统以共同的、集体的意识为代表。由于缺乏国家独立性,这种集体意识在当时被剥夺了正式形式。在Stanisław Wyspiański和Julius Zeyer的作品中,我们可以看到在其文学形态中实现对民族传统的近期的、非固定的看待的愿望。有一个悲剧冲突的概念,首先是Wyspiański,在他的历史剧Bolesław Śmiały和Skałka中使用。尤利乌斯·泽耶尔最著名的作品《Vyšehrad》是一首史诗,它涉及到捷克浪漫主义最重要的传统,即民间传说在文学传统中的作用方式。Zeyer还对所谓的中世纪手稿(所谓的Rukopis královédvorský和Rukopis zelenohorský)的传统进行了讨论,并建议对民族神话进行批判性的使用。批判-在这种情况下-意味着:非特定的,非省级的,开放的影响和重新解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Julius Zeyer i Stanisław Wyspiański. Modernistyczny projekt krytycznej mitologii narodowej
The Czech and Polish modernistic project of the critical national mythology is, in general, a form of the artist’s discussion with his own cultural tradition which was represented by the common, collective awareness. This collective awareness was, at that time, deprived of official form, due to the lack of state independence. In the works of Stanisław Wyspiański and Julius Zeyer, we can see the aspiration to achieve the recent, non-fixed look at the national tradition in its literary shape. There was the idea of tragic conflict which has been used by Wyspiański, first of all, in the cycle of his historical plays: Bolesław Śmiały and Skałka. Julius Zeyer’s most famous work, the epic poem named Vyšehrad, refers to the most important tradition of Czech romanticism, namely, to the way of the functioning of folklore in literary tradition. Zeyer also took up the discussion with the tradition of the alleged medieval manuscripts (the so-called Rukopis královédvorský and Rukopis zelenohorský) and suggested a critical using of national mythology. Critical – in this case – means: non-particular, non-provincial, opened to influence and reinterpretation.
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