{"title":"旧创伤的新记忆?","authors":"Ana Kršinić Lozica","doi":"10.20901/pm.59.4.05","DOIUrl":null,"url":null,"abstract":"Recently, there has been a significant rise in the production of films on the Jasenovac camp and related Ustasha crimes, taking their share in the mnemonic politics. The paper focuses on the two most recent films, The Diary of Diana B., a docufiction filmed in Croatia, and Dara of Jasenovac, a feature film which was Serbia’s candidate for an Oscar. The memory of traumatic events is remediated in each film differently and used for representing diverse group identities through temporal relation with the difficult past. Comparison between the two films focuses on subject positions and regimes of historicity as categories that make the production of meaning mechanism visible. The main questions that guide the analysis are: how are victims and perpetrators portrayed, who is witnessing traumatic events, and to whom is the trauma attributed? Do they bring something new to the cultural memory of the Holocaust and genocide in the Independent State of Croatia?","PeriodicalId":43401,"journal":{"name":"Politicka Misao-Croatian Political Science Review","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"New Memory of the Old Trauma?\",\"authors\":\"Ana Kršinić Lozica\",\"doi\":\"10.20901/pm.59.4.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Recently, there has been a significant rise in the production of films on the Jasenovac camp and related Ustasha crimes, taking their share in the mnemonic politics. The paper focuses on the two most recent films, The Diary of Diana B., a docufiction filmed in Croatia, and Dara of Jasenovac, a feature film which was Serbia’s candidate for an Oscar. The memory of traumatic events is remediated in each film differently and used for representing diverse group identities through temporal relation with the difficult past. Comparison between the two films focuses on subject positions and regimes of historicity as categories that make the production of meaning mechanism visible. The main questions that guide the analysis are: how are victims and perpetrators portrayed, who is witnessing traumatic events, and to whom is the trauma attributed? Do they bring something new to the cultural memory of the Holocaust and genocide in the Independent State of Croatia?\",\"PeriodicalId\":43401,\"journal\":{\"name\":\"Politicka Misao-Croatian Political Science Review\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Politicka Misao-Croatian Political Science Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20901/pm.59.4.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"POLITICAL SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Politicka Misao-Croatian Political Science Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20901/pm.59.4.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"POLITICAL SCIENCE","Score":null,"Total":0}
Recently, there has been a significant rise in the production of films on the Jasenovac camp and related Ustasha crimes, taking their share in the mnemonic politics. The paper focuses on the two most recent films, The Diary of Diana B., a docufiction filmed in Croatia, and Dara of Jasenovac, a feature film which was Serbia’s candidate for an Oscar. The memory of traumatic events is remediated in each film differently and used for representing diverse group identities through temporal relation with the difficult past. Comparison between the two films focuses on subject positions and regimes of historicity as categories that make the production of meaning mechanism visible. The main questions that guide the analysis are: how are victims and perpetrators portrayed, who is witnessing traumatic events, and to whom is the trauma attributed? Do they bring something new to the cultural memory of the Holocaust and genocide in the Independent State of Croatia?
期刊介绍:
“Politička misao” je akademski časopis za politologiju i srodne discipline, koji od 1964. godine izdaje Fakultet političkih znanosti Sveučilišta u Zagrebu. Časopis je u pola stoljeća izlaženja stekao reputaciju središnjeg akademskog politološkog časopisa u Hrvatskoj i šire, naročito u nekadašnjoj Jugoslaviji, te u regiji koju čine post-jugoslavenske zemlje. “Politička misao” objavljuje priloge iz područja političkih znanosti i političkih studija općenito, odnosno iz svih poddisciplina politologije: političke teorije, međunarodnih odnosa, komparativne politike, hrvatske politike, javne politike, područnih studija, političke komunikacije, obrambenih i sigurnosnih studija i dr. Također, objavljujemo i članke iz područja koje nije moguće jednoznačno klasificirati po njihovoj pripadnosti samo jednoj disciplini nego se nalaze na „granici“ između dviju ili više disciplina: političke povijesti, ekonomske politike, političke filozofije, političke sociologije, političke psihologije, medijskih i kulturalnih studija i sl. Kao izdanje Fakulteta političkih znanosti u Zagrebu, objavljujemo i članke koji su neposredno vezani uz studijske programe na tom fakultetu. “Politička misao” je posebno zainteresirana za radove o hrvatskoj politici i društvu, za radove koji analiziraju Hrvatsku u globalnom kontekstu, kao i za radove koji istražuju politiku i društvo na Balkanu i u Jugoistočnoj Europi, u Europskoj uniji, u susjedstvu Europske unije, te na Mediteranu – regijama s kojima Hrvatska ima neposredni dodir.