{"title":"从地狱到地狱","authors":"Zoran Kurelić","doi":"10.20901/pm.56.3-4.06","DOIUrl":null,"url":null,"abstract":"In this essay the author creates and discusses an interplay of two incommensurable concepts of evil: Hannah Arendt’s radical evil from The Origins of Totalitarianism, and David Lynch’s evil presented artistically as “the bad electricity” in Ronnie Rocket. The first concept is related to Hell which Arendt uses in a few essays and in The Origins... In her opinion the first step towards the pure hell of Auschwitz was made in internment camps for stateless refugees. Giorgio Agamben revisits this idea and shows the link between statelessness and superfluousness. For Arendt the road which started with the inability to solve the refugee problem in Europe ended up in a Hell on Earth created in extermination camps. Agamben believes that spaces of extermination which reappeared on the European continent during the wars in former Yugoslavia demonstrate the grim possibility of recreating Hell in Europe. In his extraordinary script for the unmade film Ronnie Rocket, David Lynch creates a fictional hellhole of a city in which the rulers torture the population with bad electricity. The author discusses these two dramatically different visions of hell in order to show how Arendt’s radical evil when compared to “the bad electricity” can be understood as a production of Hell, and how Lynch’s switching from the bad to good electricity represents a revolutionary change which is simultaneously political and cosmological.","PeriodicalId":43401,"journal":{"name":"Politicka Misao-Croatian Political Science Review","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.20901/pm.56.3-4.06","citationCount":"1","resultStr":"{\"title\":\"From Hellholes to Hell\",\"authors\":\"Zoran Kurelić\",\"doi\":\"10.20901/pm.56.3-4.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this essay the author creates and discusses an interplay of two incommensurable concepts of evil: Hannah Arendt’s radical evil from The Origins of Totalitarianism, and David Lynch’s evil presented artistically as “the bad electricity” in Ronnie Rocket. The first concept is related to Hell which Arendt uses in a few essays and in The Origins... In her opinion the first step towards the pure hell of Auschwitz was made in internment camps for stateless refugees. Giorgio Agamben revisits this idea and shows the link between statelessness and superfluousness. For Arendt the road which started with the inability to solve the refugee problem in Europe ended up in a Hell on Earth created in extermination camps. Agamben believes that spaces of extermination which reappeared on the European continent during the wars in former Yugoslavia demonstrate the grim possibility of recreating Hell in Europe. In his extraordinary script for the unmade film Ronnie Rocket, David Lynch creates a fictional hellhole of a city in which the rulers torture the population with bad electricity. The author discusses these two dramatically different visions of hell in order to show how Arendt’s radical evil when compared to “the bad electricity” can be understood as a production of Hell, and how Lynch’s switching from the bad to good electricity represents a revolutionary change which is simultaneously political and cosmological.\",\"PeriodicalId\":43401,\"journal\":{\"name\":\"Politicka Misao-Croatian Political Science Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-03-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.20901/pm.56.3-4.06\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Politicka Misao-Croatian Political Science Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20901/pm.56.3-4.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"POLITICAL SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Politicka Misao-Croatian Political Science Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20901/pm.56.3-4.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"POLITICAL SCIENCE","Score":null,"Total":0}
In this essay the author creates and discusses an interplay of two incommensurable concepts of evil: Hannah Arendt’s radical evil from The Origins of Totalitarianism, and David Lynch’s evil presented artistically as “the bad electricity” in Ronnie Rocket. The first concept is related to Hell which Arendt uses in a few essays and in The Origins... In her opinion the first step towards the pure hell of Auschwitz was made in internment camps for stateless refugees. Giorgio Agamben revisits this idea and shows the link between statelessness and superfluousness. For Arendt the road which started with the inability to solve the refugee problem in Europe ended up in a Hell on Earth created in extermination camps. Agamben believes that spaces of extermination which reappeared on the European continent during the wars in former Yugoslavia demonstrate the grim possibility of recreating Hell in Europe. In his extraordinary script for the unmade film Ronnie Rocket, David Lynch creates a fictional hellhole of a city in which the rulers torture the population with bad electricity. The author discusses these two dramatically different visions of hell in order to show how Arendt’s radical evil when compared to “the bad electricity” can be understood as a production of Hell, and how Lynch’s switching from the bad to good electricity represents a revolutionary change which is simultaneously political and cosmological.
期刊介绍:
“Politička misao” je akademski časopis za politologiju i srodne discipline, koji od 1964. godine izdaje Fakultet političkih znanosti Sveučilišta u Zagrebu. Časopis je u pola stoljeća izlaženja stekao reputaciju središnjeg akademskog politološkog časopisa u Hrvatskoj i šire, naročito u nekadašnjoj Jugoslaviji, te u regiji koju čine post-jugoslavenske zemlje. “Politička misao” objavljuje priloge iz područja političkih znanosti i političkih studija općenito, odnosno iz svih poddisciplina politologije: političke teorije, međunarodnih odnosa, komparativne politike, hrvatske politike, javne politike, područnih studija, političke komunikacije, obrambenih i sigurnosnih studija i dr. Također, objavljujemo i članke iz područja koje nije moguće jednoznačno klasificirati po njihovoj pripadnosti samo jednoj disciplini nego se nalaze na „granici“ između dviju ili više disciplina: političke povijesti, ekonomske politike, političke filozofije, političke sociologije, političke psihologije, medijskih i kulturalnih studija i sl. Kao izdanje Fakulteta političkih znanosti u Zagrebu, objavljujemo i članke koji su neposredno vezani uz studijske programe na tom fakultetu. “Politička misao” je posebno zainteresirana za radove o hrvatskoj politici i društvu, za radove koji analiziraju Hrvatsku u globalnom kontekstu, kao i za radove koji istražuju politiku i društvo na Balkanu i u Jugoistočnoj Europi, u Europskoj uniji, u susjedstvu Europske unije, te na Mediteranu – regijama s kojima Hrvatska ima neposredni dodir.