复杂的时代错误:彼得·波特的《约拿》、《异类》、《古今风暴》和《神》

A. Elvey
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引用次数: 0

摘要

澳大利亚诗人彼得·波特与艺术家亚瑟·博伊德合作,根据圣经书《约拿》创作了他们的作品集《约拿》(1973)。波特将这一系列诗歌的风格描述为“复杂的时代错误”,将圣经的共鸣与当代社会、生态和政治主题结合在一起。人为气候变化的当代背景引发了有关人类、其他物种、气候和神之间关系的复杂问题。圣经中约拿的故事和当代气候变化的挑战之间没有简单的对应关系。但我在阅读《约拿书》2:1-11时,与波特诗意地复述约拿在鲸鱼里的逗留,以及莎士比亚的《卡利班》(Caliban)的对话,让我想起了重新想象我们自己复杂的混合代理,以及它们对人类与神的关系的影响,因为人类面临着当代的风暴,以及伴随而来的人为气候变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Complex Anachronism: Peter Porter's Jonah, Otherkind, Ancient and Contemporary Tempests, and the Divine
Australian poet Peter Porter collaborated with artist Arthur Boyd to produce their collection Jonah (1973) based on the biblical book. Porter writes of the style of the sequence of poems as “complex anachronism,” bringing together biblical resonances with contemporary social, ecological, and political themes. The contemporary context of anthropogenic climate change invites complex questions concerning relations between humans, other species, climate, and the divine. There are no easy correspondences between the biblical Jonah narrative and the contemporary challenges of climate change. But my reading of Jonah 2:1-11 in conversation with Porter’s poetic retelling of Jonah’s sojourn in the whale and Shakespeare’s Caliban, is suggestive for reimagining our own complex hybrid agencies and their implications for divine-human relationships as humans face the contemporary tempests of, and accompanying, anthropogenic climate change.
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