课程和艺术标志围绕着反文化教育

J. Carvalho, Sandra Ribeiro Suzana Cunha Manuel Moreira da Silva
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引用次数: 0

摘要

摘要:本文探讨了利用艺术及其敏感符号的课程如何能够围绕一种反文化教育进行思想运动,这种教育肯定了与资本主义过程相对立的生命。它对话,与后原教旨主义的理论代祷者,文化的概念,课程,教学,和图像的艺术符号形成的人来。在方法上,它是在2021年通过b谷歌Meet与市政学校网络的教师进行的一项培训研究。因此,它旨在思考艺术符号在文化和课程发明和构成中的力量。在结果中,本文指出了一些不稳定的点,教师在遇到艺术的符号时,挖掘,打开教条思维的裂缝-思想作为代表-为创造性的游牧思想的通道打开缺口,逃避,体验和创造力量的权力流动的可能性。这一过程扩展了差异化过程,从而以差异的力量为课程、文化和学校创造了新的形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CURRICULA AND ART SIGNS AROUND A COUNTERCULTURAL EDUCATION
ABSTRACT: The article discuss how curricula that use art with its sensitive signs can enable a movement of thought around a countercultural education that affirms life in counterpoint to capitalist processes. It dialogues, with post-fundamentalist theoretical intercessors, the concepts of cultures, curricula, teachings, and images of artistic signs when forming people to come. Methodologically it is a training research carried out with teachers of a municipal school network, virtually via Google Meet, in the year 2021. Therefore, it aims to think about the strength of artistic signs in cultural and curricular inventions and compositions. In the results, the text points out some destabilizing points that teachers, during encounters with the signs of the arts, excavate, open fissures in dogmatic thinking —thought as representation —opening gaps for the passage of inventive nomadic thought, the one that escapes, which experiences and creates possibilities for power flows of forces. This process expands differentiation processes and thus invents new images for the curricula, cultures, and schools with the force of difference.
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