“感官”:评估大卫·奇德尔斯特宗教分析中的一个关键术语

IF 0.3 0 RELIGION
J. Strijdom
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引用次数: 1

摘要

这篇文章的目的是为了说明和评估奇德斯特在他的宗教研究中将“感官”作为一个分析术语的使用。在“感官”下,奇德斯特不仅包括亚里士多德的五种传统感官,还分析了感官在宗教话语中的隐喻用法,神秘主义者和萨满的愿景和梦想,以及最终作为人类感官延伸的新媒体。奇德斯特对欧洲基督教话语中的感官分析,以及对殖民和后殖民时期非洲土著宗教和帝国宗教研究中的感官分析,进行了比较和评估。虽然他没有对这些案例研究进行系统的比较,但我认为他的分析有助于将感官作为宗教的物质方面进行明确的比较,并表明他对宗教和宗教研究中感官的背景化和历史上的细致分析如何为宗教的批判性研究提供信息。批判以判断为前提,价值需要用批判理论来阐述,我认为这需要进一步的阐述。关键词:感官,视觉,梦,媒介,宗教研究中的分析术语,批判理论,中世纪欧洲理论与实践中的内在感官,非洲本土宗教
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Senses’: assessing a key term in David Chidester’s analysis of religion
The purpose of this article is to illustrate and assess Chidester’s use of the ‘senses’ as an analytical term in his study of religion. Under ‘senses’ Chidester includes not only the five conventional senses of Aristotle, but also analyzes metaphorical uses of the senses in religious discourse, the visions and dreams of mystics and shamans, and eventually new media as extensions of the human senses. Chidester’s analysis of the senses in European Christian discourses on the one hand, and in colonial and postcolonial African indigenous religion and imperial religious studies on the other hand, is compared and assessed. Although he does not offer a systematic comparison of these case studies, I argue that his analysis lends itself to an explicit comparison of the senses as material aspects of religion and show how his contextualized and historically nuanced analysis of the senses in religion and religious studies informs a critical study of religion. Since critical assumes judgment, values need to be explicated in terms of critical theories, which in my view need further elaboration.Keywords: senses, visions, dreams, media, analytical terms in religious studies, critical theory, interior senses in medieval European theories and practices, African indigenous religions
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