2020-2022年乌克兰戏剧艺术面临的挑战

M. I. Korobko
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引用次数: 0

摘要

本文的目的是监测乌克兰剧院在全球冠状病毒危机和2020-2022年乌克兰战争期间面临的挑战。在其悠久的历史中,乌克兰戏剧经历了各种各样的困难:禁令(19世纪的埃姆法案和瓦卢耶夫通告),严格的审查制度(19世纪末和几乎整个20世纪),以及两次世界大战。一般的社会文化因素,政治危机,最后,战争也被添加到巨大的戏剧危机的背景中,甚至在2020年之前就出现了。为了应对时代的挑战,戏剧探索和发展了与观众交流的新模式。但与西方同行不同的是,乌克兰影院能够在2020年年中开业,并在2021年或多或少开工。21世纪的特点是,2020年和2021年发生了严重的流行病,乌克兰战争(从2014年开始在顿涅茨克和卢甘斯克地区持续,克里米亚被占领,2022年战争在我国蔓延)。除了客观的地缘政治问题,还有新的政治改革、资金不足和缺乏专业人员的问题(因为剧院不仅有演员和导演,还有教育家、剧作家、文化观众和各种工人,他们的观众不看)。所有这些因素都让人质疑大型专业剧院的存在,更不用说那些不赚钱的小剧院了。剧院现在的处境特别困难,几乎处于灭绝的边缘。为了生存,剧场工作者正在努力寻找新的方式来表现自己,吸引观众、赞助商和资金。他们在为自己的表演寻找新的体裁、新的戏剧、新的主题。目前,几乎所有的戏剧团体都在尝试寻找非标准的工作形式:在线放映、沉浸式表演、露天表演等等。2月24日全面战争爆发后,问题变得更加严重。然而,在一个月的完全沉默和不行动之后,乌克兰的剧院在4月份重新向观众敞开了大门。这个事实给了我们生存的希望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE CHALLENGES FOR UKRAINIAN THEATRE ART IN THE YEARS 2020-2022
The purpose pf the article is to monitor the challenges faced by Ukrainian theater during the global coronavirus crisis and the war in Ukraine in 2020-2022. During its long history, the Ukrainian theater has experienced various difficulties: bans (the Ems Act and the Valuev Circular in the 19th century), strict censorship (in the late 19th century and almost all of the 20th century), and two World Wars. General socio-cultural factors, political crises and, finally, war were also added to the background of the great theatrical crisis, which was pre- sent even before 2020. Responding to the challenges of the times, the theater searches for and develops new models of broadcasting and commu- nication with its audience. But Ukrainian theaters, unlike their Western counterparts, were able to open in mid-2020 and more or less work in 2021. The XXI century was marked by difficult pandemics in 2020 and 2021 and the war in Ukraine (which lasted from 2014 in Donetsk and Luhansk re- gions, the occupation of Crimea and the spread of war throughout our country in 2022). In addition to objective geopolitical problems, there are problems of new political reforms, underfunding, and lack of professional staff (because the theater is not only actors and directors, but also educa- tors, playwrights, and cultural audience, and various workers, whose audience not to see). All these factors have called into question the existence of even large professional theaters, not to mention smaller and unprofitable theaters. The theater is now in a particularly difficult situation, almost on the verge of extinction. Theatrical workers are trying to find new ways to ex- press themselves and attract spectators, sponsors and funds in order to survive. They are looking for new genres, new drama, new themes for their performances. At the moment, almost all theater groups are trying to find non-standard forms of work: online screenings, immersion performances, open-air performances and more. The problems became bigger when the full-scale war started in February 24. However, Ukrainian theaters reo- pened their doors for spectators in April, after the month of total silence and non-action. And this fact gives us the hope for living.
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