乡土文化、城市、建筑:概念分析与关联

Y. Butsykina
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引用次数: 0

摘要

本文旨在梳理现代白话文化研究中三个关键概念的现有定义,以构建一个理解城市空间白话元素的整体图景。在白话文化(M. Lantis, A. Markusen, J. Carr和L. Servon)的定义中,他们确定了城市生活非职业维度中文化认同的传统文化与现代方面的结合等特征。在白话化城市概念的定义(J. Krase和T. Shortell, S. Sapu等人)中,分析了对日常话语的诉求(G. Simmel, H. Lefebvre, M. de Certeau, R. Sennett和M. Blonsky)和视觉符号学方法(R. Jakobson),以区分视觉表征和城市身份的标志,以及居住在城市的蚂蚁在城市空间建设中的社会和文化条件。乡土建筑的概念(R. Brown and D. Maudlin, H. Guillaud, M. Salman)结合了后现代和后殖民研究中的传统和日常元素,以及“拼贴城市”的概念,以及通过可持续性问题的棱镜。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
VERNACULAR CULTURE, CITY, ARCHITECTURE: ANALYSIS AND CORRELATION OF CONCEPTS
The article is devoted to structuring the existing definitions of three key concepts within modern vernacular cultural studies in order to build a holistic picture of understanding the vernacular elements in urban space. Within the definition of vernacular culture (M. Lantis, A. Markusen, J. Carr and L. Servon), characteristics such as the combination of traditional culture and modern aspects of cultural identity in the non-professional dimension of city life were identified. Within the definition of the concept of vernacular city (J. Krase and T. Shortell, S. Sapu and others) the appeal to the discourse of everyday (G. Simmel, H. Lefebvre, M. de Certeau, R. Sennett and M. Blonsky) and the method of visual semiotics (R. Jakobson) is analyzed in order to distinguish signs of visual representation and urban identity, social and cultural conditions in the construction of urban space by its inhabit- ants. The concept of vernacular architecture (R. Brown and D. Maudlin, H. Guillaud, M. Salman) carries a combination of elements of traditional and everyday within postmodern and postcolonial studies and the concept of "collage city", as well as through the prism of the problem of sustainability.
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