克里米亚中世纪墓葬中的带有基督教涂鸦的陶瓷碎片

Q2 Arts and Humanities
E. Khairedinova
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引用次数: 0

摘要

13世纪和14世纪在克里米亚西南部和苏达克地区的基督教墓葬中,有轮式容器和建筑陶瓷的碎片,上面有在烤粘土上画的涂鸦,形式是一个简单的十字架(类型1),十字架在手臂之间刻有两行公式“IC XC NIKA”(类型2),或者一行写着公式“IC XC NIKA”(类型3)。这些涂鸦被应用于专门用于墓葬的陶瓷碎片上;这类发现在定居点的文化层中并不为人所知。第一类的涂鸦取代了人类一生中穿的内衣十字架,成为死者的护身符。在坟墓中,它们被放置在死者的下颚,颈部或头部。公式“IC XC NIKA”是希腊语“Ἰησο ο ς Χριστòς ν末梢κα”(“耶稣基督,征服”)或“Ἰησο ο ς Χριστòς ν末梢κ ”(“耶稣基督征服”)的部分缩写形式。人们普遍认为,这个公式最早出现在720年利奥三世和他的儿子君士坦丁四世的硬币上,并宣布拜占庭人在基督和他的十字架的保护下战胜了阿拉伯人。后来,胜利和胜利的帝国内涵让位给了更谦虚的祈求帮助和保护免受邪恶势力侵害的祈祷。在克里米亚,“IC XC NIKA”的公式出现在8世纪晚期的建筑铭文、建筑细节、墓碑和个人崇拜对象上。从13世纪开始,“IC XC NIKA”的公式结合一个十字架或单独出现在葬礼上:在坟墓东端垂直放置的石板上,使死者的脸转向图像,或者在覆盖死者嘴或脖子的陶瓷碎片上。具有这一形象的人工制品主要被放置在过早离开的人的坟墓中:儿童,青少年或那些在他们的一生中遭受严重疾病的人。将带有基督教涂鸦的陶瓷碎片放入墓葬中以保护和吓跑恶灵的仪式在13世纪和14世纪的克里米亚有记载,尽管在拜占庭它从10世纪开始出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ceramic Fragments with Christian Graffiti from Mediaeval Burials in the Crimea
The thirteenth and fourteenth century Christian burials in the the south-western Crimea and Sudak contained the fragments of wheel-made vessels and building ceramic ware showing the graffiti drawn on baked clay in the form of a simple cross (type 1), a cross with two-line formula “IC XC NIKA” (type 2) inscribed between the arms, or the formula “IC XC NIKA” written in one line (type 3). These graffiti were applied to ceramic shards specifically for burials; the finds of this kind are not known in cultural layers of the settlements. The graffiti of type 1 replaced underwear crosses worn during the human’s life and served as apotropaic amulets for the dead. In the graves, they were placed under the lower jaw, at the neck or head of the deceased person. The formula “IC XC NIKA” is a partially abbreviated form of the Greek “Ἰησοῦς Χριστòς νίκα” (“Jesus Christ, conquer”) or “ Ἰησοῦς Χριστòς νίκᾷ” (“Jesus Christ conquers”). It is accepted that this formula first appeared in 720 on the coins of Leo III and his son Constantine IV and proclaimed the victory of the Byzantines over the Arabs under the protection of Christ and His Cross. Later on, imperial connotations of triumph and victory gave way to a more modest prayer for help and protection from the forces of evil. In the Crimea, the formula “IC XC NIKA” occurred from the late eighth century in building inscriptions, on architectural details, tombstones, and individual worship objects. From the thirteenth century on, the formula “IC XC NIKA” combined with a cross or independently appeared in burials: on slabs placed vertically at the eastern end of the grave so that the face of the deceased was turned to the image, or on ceramic shards that covered the mouth or neck of the deceased. The artefacts featuring this image were placed mainly in the burials of untimely departed persons: children, teenagers, or those who suffered from serious illnesses during their lifetime. The rite of placing ceramic fragments with Christian graffiti into burials for protection and scaring away evil spirits is documented in the Crimea in the thirteenth and fourteenth centuries, though in Byzantium it appeared from the tenth century on.
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来源期刊
Antichnaia drevnost'' i srednie veka
Antichnaia drevnost'' i srednie veka Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.40
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20
审稿时长
22 weeks
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