合成:对(i)音乐在应用专辑中的重要性的思考

B. Polivanov, Lucas Waltenberg
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引用次数: 2

摘要

本文以加拿大Metric乐队于2013年推出的应用专辑“Synthetica”为研究对象,旨在探讨网络文化中物质文化与音乐的关系。首先,对物质性与数字文化之间的冲突进行了反思和思考。其次,从更传统的意义上讨论音乐专辑,突出其与app专辑的异同。最后,从混音文化、音乐的物质性和补救的思考出发,分析了《合成》。我们的结论是,即使在网络空间中,音乐也具有物质的复杂性,在人类和非人类行为体之间的关系中形成了新的“聆听协议”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SYNTHETICA: reflexões acerca da (i)materialidade da música em álbuns-aplicativo
Using the app-album "Synthetica", launched in 2013 by Canadian band Metric, as a study object, this paper aims to investigate the relationship between material culture and music in cyberculture. Firstly, it brings some reflections and perspectives about the conflicts between materiality and digital culture. Secondly, it discusses the music album in a more traditional sense to highlight its similarities and differences with the app-album. Lastly, it analyzes Synthetica, anchored by thoughts on remix culture, the materiality of music and remediation. We conclude that, even in cyberspace, music possesses a material complexity, shaping new “listening protocols”in the relationship between human and non-human actants.
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