2023年戛纳电影节

IF 0.6 3区 艺术学 0 FILM, RADIO, TELEVISION
B. Rich
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引用次数: 0

摘要

《电影季刊》编辑、资深影评人鲁比·里奇从2023年戛纳电影节发回报道。她指出,外界对戛纳电影节的看法和内部人士的体验之间存在着巨大的差距,因为糟糕的天气和门票问题意味着,人们最常分享的建议是一句陈词滥调:“如果你不觉得丢脸,那你就没来戛纳。”尽管如此,里奇还是报道了一系列令人满意的电影,其中既有托德·海恩斯、是枝裕和和克莱伯·门东帕拉·菲略等知名导演的作品,也有埃琳·纳韦里亚尼导演的格鲁吉亚电影《黑鸟》和巴勃罗·伯杰的动画《机器人之梦》等新发现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cannes 2023
Film Quarterly editor and veteran critic B. Ruby Rich reports from the 2023 edition of the Cannes Film Festival. She notes that the gap between outside perception and insider experience of the Festival was profound, as bad weather and ticketing woes meant that the advice most often shared was the bromide “If you’re not feeling humiliated, you’re not at Cannes.” Nonetheless, Rich reports on a satisfying array of films, both from known auteurs including Todd Haynes, Hirokazu Kore-eda, and Kleber Mendonça Filho and new discoveries such as the Georgian film Blackbird Blackbird Blackberry from director Elene Naveriani and the animated Robot Dreams by Pablo Berger.
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来源期刊
FILM QUARTERLY
FILM QUARTERLY FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
40.00%
发文量
36
期刊介绍: Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.
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