酷儿电影的实践穆斯林和实践同性恋者

IF 0.6 3区艺术学 0 FILM, RADIO, TELEVISION

FILM QUARTERLY Pub Date : 2023-01-01 DOI:10.1525/fq.2023.76.4.63

Bilal Qureshi

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引用次数: 0

摘要

Bilal Qureshi回到《电影季刊》，研究了来自巴基斯坦的《Joyland》(saaim Sadiq, 2022)和来自摩洛哥的《蓝色长袍》(Le bleu du caftan, Maryam Touzani, 2022)在电影节上的意外成功。这两部电影都是来自未被充分代表的电影文化的独特、不寻常的成功故事，这促使库雷希质疑它们是否代表了巴基斯坦或摩洛哥电影制作的酷儿突破。优雅、奢华、浪漫，每一部都是通往巴基斯坦和摩洛哥中产阶级家庭生活和不可言说的酷儿欲望的完美窗口，《Joyland》和《蓝色长袍》开启了关于酷儿电影未来的激动人心的对话，也许更重要的是，关于穆斯林电影。

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Queer Cinema’s Practicing Muslims and Practicing Homosexuals

Bilal Qureshi returns to the pages of Film Quarterly to examine the unexpected success on the festival circuit and beyond of Joyland (Saim Sadiq, 2022), from Pakistan, and Le bleu du caftan (The Blue Caftan, Maryam Touzani, 2022), from Morocco. Both films are singular, unusual stories of success from underrepresented film cultures, prompting Qureshi to inquire whether they represent a queer breakthrough for Pakistani or Moroccan filmmaking. Elegant, lush, and romantic, each an impeccably made window into middle-class Pakistani and Moroccan family life and unspoken queer desire, Joyland and The Blue Caftan open up exciting conversations about the future of queer cinema and, perhaps even more importantly, about Muslim cinema.

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来源期刊

FILM QUARTERLY FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.