没有坟墓不能埋葬我的身体吗

IF 0.6 3区艺术学 0 FILM, RADIO, TELEVISION

FILM QUARTERLY Pub Date : 2023-01-01 DOI:10.1525/fq.2023.76.3.73

M. Gillespie

{"title":"没有坟墓不能埋葬我的身体吗","authors":"M. Gillespie","doi":"10.1525/fq.2023.76.3.73","DOIUrl":null,"url":null,"abstract":"The filmmaker Keisha Rae Witherspoon has said, “Film is a type of spell.” In her short film T (2019), she conjures a conceit of how to carry the dead or how to imagine living on with and without them. Set in Liberty City, Miami’s historically black neighborhood, T poignantly stages a notion of memorialization that refigures mourning as incarnation spectacles that refuse to be held suspended by the grief, ache, representational recurrence, and despair over black death. In this essay, Michael Boyce Gillespie examines how T’s staging of a ball devoted to the celebration of the black dead emplots the cultural legacies of black death and precarity within a praxis of resistance, survival, and the fabulous.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Can’t No Grave Hold My Body Down\",\"authors\":\"M. Gillespie\",\"doi\":\"10.1525/fq.2023.76.3.73\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The filmmaker Keisha Rae Witherspoon has said, “Film is a type of spell.” In her short film T (2019), she conjures a conceit of how to carry the dead or how to imagine living on with and without them. Set in Liberty City, Miami’s historically black neighborhood, T poignantly stages a notion of memorialization that refigures mourning as incarnation spectacles that refuse to be held suspended by the grief, ache, representational recurrence, and despair over black death. In this essay, Michael Boyce Gillespie examines how T’s staging of a ball devoted to the celebration of the black dead emplots the cultural legacies of black death and precarity within a praxis of resistance, survival, and the fabulous.\",\"PeriodicalId\":45540,\"journal\":{\"name\":\"FILM QUARTERLY\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FILM QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/fq.2023.76.3.73\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2023.76.3.73","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

电影制作人凯莎·蕾·威瑟斯彭曾说过:“电影是一种咒语。”在她的短片《T》(2019)中，她幻想着如何承载死者，或者如何想象有他们或没有他们的生活。《T》以迈阿密历史上的黑人社区自由城为背景，深刻地展现了一种纪念的概念，将哀悼重新塑造成一种化身的景象，拒绝被悲伤、痛苦、再现和对黑死病的绝望所暂停。在这篇文章中，迈克尔·博伊斯·吉莱斯皮(Michael Boyce Gillespie)研究了T如何在抵抗、生存和神话的实践中运用黑死病和不稳定的文化遗产来举办一场致力于庆祝黑人死者的舞会。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Can’t No Grave Hold My Body Down

The filmmaker Keisha Rae Witherspoon has said, “Film is a type of spell.” In her short film T (2019), she conjures a conceit of how to carry the dead or how to imagine living on with and without them. Set in Liberty City, Miami’s historically black neighborhood, T poignantly stages a notion of memorialization that refigures mourning as incarnation spectacles that refuse to be held suspended by the grief, ache, representational recurrence, and despair over black death. In this essay, Michael Boyce Gillespie examines how T’s staging of a ball devoted to the celebration of the black dead emplots the cultural legacies of black death and precarity within a praxis of resistance, survival, and the fabulous.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

FILM QUARTERLY FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.