Huesera, Clara solo和美杜莎

IF 0.6 3区艺术学 0 FILM, RADIO, TELEVISION

FILM QUARTERLY Pub Date : 2022-01-01 DOI:10.1525/fq.2022.76.2.83

Manuel Betancourt

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引用次数: 0

摘要

FQ专栏作家曼努埃尔·贝当古讨论了最近三种拉丁美洲的恐怖类型:韦塞拉(米歇尔·加尔扎·塞尔维拉，2022年)，克拉·索拉(纳塔莉·Álvarez梅萨姆，2021年)和美杜莎(安妮塔·罗查·达·西尔维拉，2021年)。作为现代女权主义寓言，这些电影有意识地颠覆了恐怖传统，重塑了女性受害者的刻板观念，揭示了父权制度如何侵蚀了女性的能动性。总之，它们为一种带有坚定女权主义观点的更大胆的当代恐怖电影指明了前进的道路。

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Huesera, Clara Sola, and Medusa

FQ columnist Manuel Betancourt discusses three recent Latin American spins on the horror genre: Huesera (Michelle Garza Cervera, 2022), Clara Sola (Nathalie Álvarez Mesén, 2021), and Medusa (Anita Rocha da Silveira, 2021). As modern feminist fables, these films consciously upend horror conventions, reworking rigid conceptions of female victimhood to reveal how a patriarchal system corrodes a woman’s sense of agency. Together, they show the way forward for a bolder kind of contemporary horror cinema with a decidedly feminist point of view.

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来源期刊

FILM QUARTERLY FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.