特写在自拍时代的地位

IF 0.6 3区艺术学 0 FILM, RADIO, TELEVISION

FILM QUARTERLY Pub Date : 2022-01-01 DOI:10.1525/fq.2022.76.1.75

Manuel Betancourt

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引用次数: 0

摘要

FQ专栏作家曼努埃尔·贝当古(Manuel Betancourt)思考了电影特写的力量，在这个时代，手机上的自拍、前置视频和变焦网格都无处不在，屏幕上的脸无处不在。贝当古以罗兰·巴特和阿根廷作家曼努埃尔·普伊格对古典好莱坞银幕上塞壬面孔的敬畏为开始，讨论了最近两部电影中对面部的关注:墨西哥电影《Dos estaciones》(胡安·巴勃罗González, 2022)和智利电影《死亡将会到来，并将拥有你的眼睛》(何塞·路易斯·托雷斯·莱瓦，2019)。虽然两部电影在主题和美学上没有什么共同之处，但它们都关注年长的酷儿女性主角，以及面部的视觉语法，这让贝当古重新体会到了特写镜头的力量。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Status of the Close-Up in the Age of the Selfie

FQ columnist Manuel Betancourt ponders the power of the cinematic close-up in an era when the screened face is a ubiquitous presence on phones in selfies, front-facing videos, and Zoom grids alike. Taking Roland Barthes and Argentine writer Manuel Puig’s reverence for the faces of the silver screen sirens of Classical Hollywood as his starting point, Betancourt discusses the focus on the face in two recent films: the Mexican film Dos estaciones (Juan Pablo González, 2022) and the Chilean film Vendrá la muerte y tendrá tus ojos (Death Will Come and Shall Have Your Eyes, José Luis Torres Leiva, 2019). Although they have little in common thematically or aesthetically, both films share a focus on older queer female protagonists along with the visual grammar of the face, allowing Betancourt to appreciate the power of the close-up anew.

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来源期刊

FILM QUARTERLY FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.