{"title":"残疾人电影的下一波浪潮","authors":"Lawrence Carter-Long","doi":"10.1525/fq.2022.76.2.55","DOIUrl":null,"url":null,"abstract":"Traditionally, the depiction of disability in cinema has mirrored the dominant worldview’s outside-looking-in perspective. By contrast, today’s New Wave of Disability Cinema starts from the inside and shines outward, with a different focus, POV, and intentions. Lawrence Carter-Long reviews the current crop of films that replace appeals for inclusion with proclamations of purpose, representing an overdue evolution in what stories are told and who gets to tell them. He argues that the unique skills of disabled artists have been too long denied agency by limited imaginations and an ableist gaze.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Disability Cinema’s Next Wave\",\"authors\":\"Lawrence Carter-Long\",\"doi\":\"10.1525/fq.2022.76.2.55\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Traditionally, the depiction of disability in cinema has mirrored the dominant worldview’s outside-looking-in perspective. By contrast, today’s New Wave of Disability Cinema starts from the inside and shines outward, with a different focus, POV, and intentions. Lawrence Carter-Long reviews the current crop of films that replace appeals for inclusion with proclamations of purpose, representing an overdue evolution in what stories are told and who gets to tell them. He argues that the unique skills of disabled artists have been too long denied agency by limited imaginations and an ableist gaze.\",\"PeriodicalId\":45540,\"journal\":{\"name\":\"FILM QUARTERLY\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FILM QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/fq.2022.76.2.55\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2022.76.2.55","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Traditionally, the depiction of disability in cinema has mirrored the dominant worldview’s outside-looking-in perspective. By contrast, today’s New Wave of Disability Cinema starts from the inside and shines outward, with a different focus, POV, and intentions. Lawrence Carter-Long reviews the current crop of films that replace appeals for inclusion with proclamations of purpose, representing an overdue evolution in what stories are told and who gets to tell them. He argues that the unique skills of disabled artists have been too long denied agency by limited imaginations and an ableist gaze.
期刊介绍:
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.