{"title":"永恒的爱和赎罪中隐藏的真理","authors":"Anca Turcu","doi":"10.1515/msas-2015-0010","DOIUrl":null,"url":null,"abstract":"Abstract The article tries to demonstrate that Ian McEwan’s novels, Enduring Love and Atonement, are similarly concerned with the way in which fiction writing is more apt to veil “truth” than to unveil it, also to invite partial readings of “reality” than to offer wide-ranging perspectives on it.","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Veiled Truth In Enduring Love And Atonement\",\"authors\":\"Anca Turcu\",\"doi\":\"10.1515/msas-2015-0010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The article tries to demonstrate that Ian McEwan’s novels, Enduring Love and Atonement, are similarly concerned with the way in which fiction writing is more apt to veil “truth” than to unveil it, also to invite partial readings of “reality” than to offer wide-ranging perspectives on it.\",\"PeriodicalId\":53347,\"journal\":{\"name\":\"Messages Sages and Ages\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Messages Sages and Ages\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/msas-2015-0010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Messages Sages and Ages","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/msas-2015-0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Abstract The article tries to demonstrate that Ian McEwan’s novels, Enduring Love and Atonement, are similarly concerned with the way in which fiction writing is more apt to veil “truth” than to unveil it, also to invite partial readings of “reality” than to offer wide-ranging perspectives on it.