20世纪60年代以后的韩国现代文学

Sanggum Li
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引用次数: 0

摘要

自20世纪90年代初以来,在韩国,新一代文学的范畴和定义成为争论的焦点。人们可以把这种趋势理解为“代沟”、“社会阶层之间的异化”或“大众消费导向的文化”。在这里,我们把1960年前后出生的文艺青年称为“新一代”。在文学中,新一代指的是一种新的文化和思维方式的出现。这一代人在20世纪70年代度过了他们的童年,没有遇到像他们的父母那样与贫困作斗争的巨大困难。然而,他们是在黑暗的政治观念和镇压的间接影响下长大的。一般来说,他们对大众传媒产生的文化有很大的感情。如果将它们的发展过程与韩国文学流进行比较,60年代可以被定义为独立和强烈自我意识的文学时代,70年代是人民的时代,80年代是争取权利或解放劳动的时代,90年代是新一代文学的时代。与此同时,自20世纪90年代末以来,“韩流”或所谓的“韩流”的出现已成为亚洲和其他国家最受欢迎的流行文化现象之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Modern Literature after the 1960s in Korea
Abstract Since the beginning of the 1990s in Korea, the category and definition of new generation literature have become the topic of heated debate. One may understand this tendency as ‘generation severance’, ‘alienation between social classes’, or the ‘consumption-oriented culture of the masses’. Here, we call the literary youth born in approximately 1960 ‘the new generation’. In literature, the new generation refers to the appearance of a new culture and way of thinking. This generation passed their childhood in the 1970s and faced no such great difficulties as their parents combating poverty. However, they grew up under the indirect influence of a dark political outlook and suppression. Generally, they have a great affection for the culture produced by mass media. If we compare their development process with the literary stream in Korea, the 1960s could be defined as the era of literature for independence and strong self-awareness, the 1970s as the era for people, the 1980s as the era for the rights or emancipation of labour, and the 1990s as the era of new generation literature. Meanwhile, the appearance of the ‘Korean Wave’, or so-called ‘Hallyu’, has become one of the most beloved popular cultural phenomena both in Asia and in other countries since the late 1990s.
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