哲学与抒情

IF 0.6 0 LITERARY THEORY & CRITICISM
P. Lamarque
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引用次数: 3

摘要

摘要本文对哲学美学(主要是分析美学)中关于抒情的一些问题进行了综述和评述。简而言之,它们是:定义、表达、释义、形式与内容的统一、经验、真理与深度。这篇论文从分析哲学的角度说明了为什么这些问题是重要的,同时也说明了为什么抒情诗并不总是一个容易适应标准分析预设的主题。人们可能会认为,语言哲学中的意义理论(无论是语义学、言语行为理论还是真条件理论)应该适用于所有的语言使用。但抒情诗混淆了这种期望,并产生了一种背景,在这种背景下,熟悉的意义和交流模式似乎是不够的。然而,分析哲学家不应该简单地将诗歌视为某种例外或异常,而是应该从重新审视基本假设中获益,看看他们对语言的看法如何扩大和修改。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Philosophy and the Lyric
Abstract The paper surveys and comments on some of the issues that arise about the lyric in philosophical, principally analytical, aesthetics. In brief these are: definition, expression, paraphrase, form-content unity, experience, and truth and profundity. The paper shows in each case why these issues are important from the perspective of analytical philosophy but also why lyric poetry is not always an easy subject matter to accommodate to standard analytical presuppositions. It might be thought that theories of meaning within philosophy of language (be it semantics, speech act theory or truth-conditions) should be applicable to a full range of linguistic usage. But lyric poetry confounds that expectation and yields a context where familiar models of meaning and communication can seem inadequate. Yet analytical philosophers should not simply dismiss poetry as somehow exceptional or aberrant but would gain from looking afresh at basic assumptions to see how their views about language might be broadened and modified.
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来源期刊
Journal of Literary Theory
Journal of Literary Theory LITERARY THEORY & CRITICISM-
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