原始好莱坞小说

IF 0.7 Q3 COMMUNICATION
Charles Musser
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引用次数: 0

摘要

在好莱坞小说在20世纪20年代初成为一种成熟的文学类型之前,许多美国作家都在以连载和成书的形式写关于电影制作的小说。与20世纪10年代的前古典好莱坞电影不同,这些“原型好莱坞小说”不仅仅是简单的前身。许多故事都以纽约为背景,并从有关戏剧世界的小说中获得灵感。其他的故事发生在遥远的西部,包括加利福尼亚,但在好莱坞获得其神话身份之前。特别有趣的是,这些小说中的大多数在修辞和叙事上都是女权主义的。其中一些涉及性骚扰问题,一个世纪后的“我也是”运动(#MeToo)将这些问题提了出来。这篇文章主要关注与激进杂志《大众》有关的两位男性作家——罗伯特·卡尔顿·布朗和詹姆斯·奥本海姆,以及两位在西海岸从事编剧工作的女性作家的作品。鲍尔先生和玛格丽特·特恩布尔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Proto-Hollywood Novel
Before the Hollywood novel emerged as a well-established literary genre in the early 1920s, various American authors were writing novels about moviemaking in both serial and book form. Not unlike the preclassical Hollywood movies of the 1910s, these “proto-Hollywood novels” were more than simple antecedents. Many were set in New York City and took their cues from novels about the theater world. Others were set in the Far West, including California, but before Hollywood had assumed its mythic identity. Of particular interest: most of these novels were feminist in their rhetoric and narratives. Some engaged issues of sexual harassment that would be picked up a century later by the #MeToo movement. This article focuses on the works of two male writers associated with the radical magazine The Masses—Robert Carlton Brown and James Oppenheim, and two women who were involved in screenwriting on the West Coast—B. M. Bower and Margaret Turnbull.
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来源期刊
Feminist Media Histories
Feminist Media Histories Arts and Humanities-History
CiteScore
0.70
自引率
0.00%
发文量
18
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