{"title":"1976年Sojourner真相艺术节","authors":"Hayley O’Malley","doi":"10.1525/fmh.2022.8.3.127","DOIUrl":null,"url":null,"abstract":"In 1976, a remarkable group of Black feminist artists organized the first ever Black women’s film festival, the Sojourner Truth Festival of the Arts, at the Women’s Interart Center in New York. Screening films by at least sixteen Black women directors, the festival was simultaneously a celebration of the emerging world of Black women’s filmmaking and a radical call for the kinds of socio-political and institutional changes necessary for a Black women’s film culture to thrive. This essay uses archival materials and personal interviews to reconstruct the festival, arguing that although it has long been overlooked, it represents a foundational moment for Black feminist film culture and epitomizes the cross-arts networks of influence that shaped Black feminist artmaking in the period. At the same time, engaging with a fragmentary archive, the essay reflects on the forms of speculation needed to reconstruct the events, lived experiences, and long-term legacies of the festival.","PeriodicalId":36892,"journal":{"name":"Feminist Media Histories","volume":"1 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The 1976 Sojourner Truth Festival of the Arts\",\"authors\":\"Hayley O’Malley\",\"doi\":\"10.1525/fmh.2022.8.3.127\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 1976, a remarkable group of Black feminist artists organized the first ever Black women’s film festival, the Sojourner Truth Festival of the Arts, at the Women’s Interart Center in New York. Screening films by at least sixteen Black women directors, the festival was simultaneously a celebration of the emerging world of Black women’s filmmaking and a radical call for the kinds of socio-political and institutional changes necessary for a Black women’s film culture to thrive. This essay uses archival materials and personal interviews to reconstruct the festival, arguing that although it has long been overlooked, it represents a foundational moment for Black feminist film culture and epitomizes the cross-arts networks of influence that shaped Black feminist artmaking in the period. At the same time, engaging with a fragmentary archive, the essay reflects on the forms of speculation needed to reconstruct the events, lived experiences, and long-term legacies of the festival.\",\"PeriodicalId\":36892,\"journal\":{\"name\":\"Feminist Media Histories\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Feminist Media Histories\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/fmh.2022.8.3.127\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Feminist Media Histories","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fmh.2022.8.3.127","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
摘要
1976年,一群杰出的黑人女权主义艺术家在纽约的女性艺术中心(women’s Interart Center)组织了有史以来第一届黑人女性电影节——旅居者真相艺术节(Sojourner Truth festival of the Arts)。该电影节放映了至少16位黑人女性导演的电影,同时也是对黑人女性电影制作新兴世界的庆祝,同时也是对黑人女性电影文化蓬勃发展所必需的社会政治和制度变革的激进呼吁。本文使用档案材料和个人访谈来重建电影节,认为尽管它长期以来被忽视,但它代表了黑人女权主义电影文化的基础时刻,并集中体现了跨艺术影响网络,塑造了这一时期的黑人女权主义艺术创作。与此同时,这篇文章结合了一个零碎的档案,反思了重建事件、生活经历和节日长期遗产所需的猜测形式。
In 1976, a remarkable group of Black feminist artists organized the first ever Black women’s film festival, the Sojourner Truth Festival of the Arts, at the Women’s Interart Center in New York. Screening films by at least sixteen Black women directors, the festival was simultaneously a celebration of the emerging world of Black women’s filmmaking and a radical call for the kinds of socio-political and institutional changes necessary for a Black women’s film culture to thrive. This essay uses archival materials and personal interviews to reconstruct the festival, arguing that although it has long been overlooked, it represents a foundational moment for Black feminist film culture and epitomizes the cross-arts networks of influence that shaped Black feminist artmaking in the period. At the same time, engaging with a fragmentary archive, the essay reflects on the forms of speculation needed to reconstruct the events, lived experiences, and long-term legacies of the festival.