中央大道边界景观

IF 0.4 4区历史学 Q1 HISTORY

PACIFIC HISTORICAL REVIEW Pub Date : 2022-01-01 DOI:10.1525/phr.2022.91.4.492

K. Marcus

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引用次数: 0

摘要

自20世纪初以来，洛杉矶的非裔美国人在种族、文化、经济和社会等方面面临着各种各样的边界——在吉姆·克劳法的限制下。在本文中，我将边界景观的概念应用于洛杉矶中央大道的多民族社区，以考虑音乐家在大迁徙期间如何在城市中遇到边界。在爵士乐(克罗拉·布莱恩特、霍华德·麦吉、德克斯特·戈登)、教育(威廉·威尔金斯、约翰·格雷、山姆·布朗、阿尔玛·海托华)和作曲(威廉·格兰特·斯蒂尔、哈罗德·布鲁斯·福赛斯)等领域，许多非裔美国人用音乐来超越边界，并在中央大道边界内抵制吉姆·克劳的限制。

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The Central Avenue Borderscape

Since the early twentieth century, African Americans in Los Angeles confronted a variety of borders—racial, cultural, economic, and social—in an environment of Jim Crow restrictions. In this article I apply the concept of the borderscape to the multiethnic community of Central Avenue in Los Angeles to consider how musicians encountered borders in the city during the Great Migration. In the fields of jazz (Clora Bryant, Howard McGhee, Dexter Gordon), education (William Wilkins, John Gray, Sam Browne, Alma Hightower), and composition (William Grant Still, Harold Bruce Forsythe), many African Americans used music both to transcend borders and to resist Jim Crow restrictions within the Central Avenue borderscape.

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来源期刊

PACIFIC HISTORICAL REVIEW HISTORY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： For over 70 years, the Pacific Historical Review has accurately and adeptly covered the history of American expansion to the Pacific and beyond, as well as the post-frontier developments of the 20th-century American West. Recent articles have discussed: •Japanese American Internment •The Establishment of Zion and Bryce National Parks in Utah •Mexican Americans, Testing, and School Policy 1920-1940 •Irish Immigrant Settlements in Nineteenth-Century California and Australia •American Imperialism in Oceania •Native American Labor in the Early Twentieth Century •U.S.-Philippines Relations •Pacific Railroad and Westward Expansion before 1945