{"title":"“图书馆员的梦想王子”:卡尔·范·维切滕与美国现代主义文化档案产业","authors":"Kirsten Macleod","doi":"10.1353/LAC.2011.0026","DOIUrl":null,"url":null,"abstract":"Carl Van Vechten (1880–1964) was an art critic and patron, a novelist, and a photographer from the early- to mid-twentieth century. His most important role, however, was as a collector and archivist of American modernism. This study examines the origins of Van Vechten’s penchant for collecting and archiving, how these interests informed his professional and amateur pursuits, and how they led him to contribute to the creation of a substantial and wide-ranging archival record of twentieth-century American cultural life.","PeriodicalId":89436,"journal":{"name":"Libraries & the cultural record","volume":"46 1","pages":"360 - 387"},"PeriodicalIF":0.0000,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LAC.2011.0026","citationCount":"5","resultStr":"{\"title\":\"The “Librarian’s Dream-Prince”: Carl Van Vechten and America’s Modernist Cultural Archives Industry\",\"authors\":\"Kirsten Macleod\",\"doi\":\"10.1353/LAC.2011.0026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Carl Van Vechten (1880–1964) was an art critic and patron, a novelist, and a photographer from the early- to mid-twentieth century. His most important role, however, was as a collector and archivist of American modernism. This study examines the origins of Van Vechten’s penchant for collecting and archiving, how these interests informed his professional and amateur pursuits, and how they led him to contribute to the creation of a substantial and wide-ranging archival record of twentieth-century American cultural life.\",\"PeriodicalId\":89436,\"journal\":{\"name\":\"Libraries & the cultural record\",\"volume\":\"46 1\",\"pages\":\"360 - 387\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/LAC.2011.0026\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Libraries & the cultural record\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/LAC.2011.0026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Libraries & the cultural record","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/LAC.2011.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The “Librarian’s Dream-Prince”: Carl Van Vechten and America’s Modernist Cultural Archives Industry
Carl Van Vechten (1880–1964) was an art critic and patron, a novelist, and a photographer from the early- to mid-twentieth century. His most important role, however, was as a collector and archivist of American modernism. This study examines the origins of Van Vechten’s penchant for collecting and archiving, how these interests informed his professional and amateur pursuits, and how they led him to contribute to the creation of a substantial and wide-ranging archival record of twentieth-century American cultural life.