阅读希尔达的家:性别,印刷文化,以及乌托邦思想在19世纪后期美国的传播

J. Passet
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引用次数: 5

摘要

1836年至1900年间,美国女性出版了数十本乌托邦小说,但人们对阅读这些小说的读者知之甚少。《希尔达的家》最初是以连载故事的形式出现在《路西法》(Lucifer, the Light-Bearer)杂志上,这是一份充满了来自农村和工人阶级读者的来信的周刊,他们对19世纪晚期工业化和城市化造成的社会弊病感到困扰。本文采用以读者为中心的视角,探讨了小说的出版历史,以及读者对作者对合作家庭、性别平等和科学育种的看法的反应。《希尔达之家》读者的证词证实,小说确实在向农村和工人阶级读者传递19世纪乌托邦愿景方面发挥了重要作用,这些读者认识到印刷文化的力量是实现社会变革的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading Hilda's Home: Gender, Print Culture, and the Dissemination of Utopian Thought in Late-Nineteenth-Century America
American women published dozens of utopian novels between 1836 and 1900, yet little is known about the readers who consumed them. Hilda's Home first appeared as a serialized story in Lucifer, the Light-Bearer, a weekly filled with letters from rural and working-class readers troubled by the social ills caused by late-nineteenth-century industrialization and urbanization. Adopting a reader-centered perspective, this essay explores the novel's publication history and readers' responses to its author's vision of cooperative households, sexual equality, and scientific breeding. The testimony of Hilda's Home readers confirms that novels did play an important role in transmitting nineteenth-century utopian visions to rural and working-class readers and that those readers recognized print culture's power as a tool for achieving social change.
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