论表演写作:理性主义纲领的物理奥勒波视角

Q2 Arts and Humanities

Journal of Writing in Creative Practice Pub Date : 2021-01-01 DOI:10.1386/JWCP_00014_1

C. Schinckus

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引用次数: 0

摘要

这篇文章举例说明了表演写作的概念，通过一篇文章，落在交叉点之间的学术(阿波罗)和艺术(酒神)的作品讽刺理性主义的保守主义。本文采用一种来自法国文学(物理)的非常规方法，通过严格的荒谬和视觉实体来非理性地探索构造良好的理性主义保守主义的欢闹。这样的写作经验将读者引向一种直观的奥勒波式对话，说明极端理性主义可能在思想家之间产生的紧张关系。

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Essay on performance writing: Pataphysical Oulipo-ian perspective on the rationalist programme

This article exemplifies the concept of performance writing through an essay that falls at the crossover point between academic (Apollonian) and artistic (Dionysian) piece of work caricaturing rationalist conservatism. By using an unconventional approach coming from French literature (pataphysics), this article explores the hilarity of well-constructed rationalist conservatism by irrationalizing it through a rigorous absurdity and visual entities. Such writing experience leads the reader to a visual Oulipo-ian dialogue illustrating the tension that an extreme rationalism might generate between thinkers.

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来源期刊

Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.50

自引率

0.00%

发文量