{"title":"卢·里德与金属乐队合作专辑《露露》中的后现代主义:高雅与低俗的主观感知","authors":"D. Gibson","doi":"10.1386/MMS.5.2.187_1","DOIUrl":null,"url":null,"abstract":"The 2011 collaborative album Lulu (by Lou Reed and Metallica) presents one with what can be clearly identified as a ‘clash’ between highbrow and lowbrow culture. This ‘clash’, as will be demonstrated in this article, attempts to ‘blur’ what the media tries to enforce by revealing that Metallica and Lou Reed in actuality cannot be exclusively defined by one coherent label. The intended implication is that the album should not be dismissed as its impact, as Metallica’s first postmodern album, ought to be remembered and formally recognized as such – a postmodern experimental metal album.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":"1 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Postmodernism in Lou Reed and Metallica’s collaborative album Lulu: The subjective perception of highbrow and lowbrow\",\"authors\":\"D. Gibson\",\"doi\":\"10.1386/MMS.5.2.187_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 2011 collaborative album Lulu (by Lou Reed and Metallica) presents one with what can be clearly identified as a ‘clash’ between highbrow and lowbrow culture. This ‘clash’, as will be demonstrated in this article, attempts to ‘blur’ what the media tries to enforce by revealing that Metallica and Lou Reed in actuality cannot be exclusively defined by one coherent label. The intended implication is that the album should not be dismissed as its impact, as Metallica’s first postmodern album, ought to be remembered and formally recognized as such – a postmodern experimental metal album.\",\"PeriodicalId\":36868,\"journal\":{\"name\":\"Metal Music Studies\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Metal Music Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/MMS.5.2.187_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Metal Music Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/MMS.5.2.187_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Postmodernism in Lou Reed and Metallica’s collaborative album Lulu: The subjective perception of highbrow and lowbrow
The 2011 collaborative album Lulu (by Lou Reed and Metallica) presents one with what can be clearly identified as a ‘clash’ between highbrow and lowbrow culture. This ‘clash’, as will be demonstrated in this article, attempts to ‘blur’ what the media tries to enforce by revealing that Metallica and Lou Reed in actuality cannot be exclusively defined by one coherent label. The intended implication is that the album should not be dismissed as its impact, as Metallica’s first postmodern album, ought to be remembered and formally recognized as such – a postmodern experimental metal album.