{"title":"合唱:引文写作实践中的集体主体性","authors":"Robert Fitterman","doi":"10.1386/jwcp.13.1.77_3","DOIUrl":null,"url":null,"abstract":"‘CHORUS: Collective subjectivity in quotational writing practices’ is a ‘poet’s essay’ that examines new ways to consider subjectivity and personal affect through the use of found language. Through several examples in contemporary poetry, the essay asserts that a collective voice or ‘chorus’ or an avatar-like found voice as a protagonist can articulate the emotional zeitgeist of a cultural moment. The essay argues that this quotational response to personal and public trauma is no less legitimate than the singular articulation of a more conventional lyric poem. Further, the essay emphasizes that the boundaries between original material and found material have become increasingly blurred. As a poet’s essay, and one that addresses quotational writing, ‘CHORUS’ intentionally omits the scholarly use of proper citation.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":"13 1","pages":"77-90"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"CHORUS: Collective subjectivity in quotational writing practices\",\"authors\":\"Robert Fitterman\",\"doi\":\"10.1386/jwcp.13.1.77_3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"‘CHORUS: Collective subjectivity in quotational writing practices’ is a ‘poet’s essay’ that examines new ways to consider subjectivity and personal affect through the use of found language. Through several examples in contemporary poetry, the essay asserts that a collective voice or ‘chorus’ or an avatar-like found voice as a protagonist can articulate the emotional zeitgeist of a cultural moment. The essay argues that this quotational response to personal and public trauma is no less legitimate than the singular articulation of a more conventional lyric poem. Further, the essay emphasizes that the boundaries between original material and found material have become increasingly blurred. As a poet’s essay, and one that addresses quotational writing, ‘CHORUS’ intentionally omits the scholarly use of proper citation.\",\"PeriodicalId\":38498,\"journal\":{\"name\":\"Journal of Writing in Creative Practice\",\"volume\":\"13 1\",\"pages\":\"77-90\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Writing in Creative Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jwcp.13.1.77_3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Writing in Creative Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jwcp.13.1.77_3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
CHORUS: Collective subjectivity in quotational writing practices
‘CHORUS: Collective subjectivity in quotational writing practices’ is a ‘poet’s essay’ that examines new ways to consider subjectivity and personal affect through the use of found language. Through several examples in contemporary poetry, the essay asserts that a collective voice or ‘chorus’ or an avatar-like found voice as a protagonist can articulate the emotional zeitgeist of a cultural moment. The essay argues that this quotational response to personal and public trauma is no less legitimate than the singular articulation of a more conventional lyric poem. Further, the essay emphasizes that the boundaries between original material and found material have become increasingly blurred. As a poet’s essay, and one that addresses quotational writing, ‘CHORUS’ intentionally omits the scholarly use of proper citation.