躯体舞蹈课堂的体现价值与伦理原则:基于内隐动作学习的考虑

IF 0.2 0 DANCE
K. Barbour
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引用次数: 4

摘要

作为一名舞者,在我自己的研究和实践中,作为一名艺术家和一名教育家,阐明了认识生活在世界上不可或缺的具体方式,这是我长期以来的承诺。考虑到如何将身体实践融入高等教育的制度结构和知识,我开始研究身体舞蹈和相关运动教学法的潜在价值。我一直有兴趣扩展讨论,包括身体舞蹈教育中什么是有价值的,我们选择教什么动作,在高等教育中有什么目的,以及我们如何以道德和包容的方式教授动作。对躯体价值和伦理原则的初步探讨构成了躯体舞蹈课程描述的框架。然后,我“按摩”不同教学方法之间的特殊“紧张关系”,包括促进体验,基于发现的躯体过程和运动技能学习,以提供对躯体舞蹈体现价值和道德原则的一些反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Embodied values and ethical principles in somatic dance classes: Considering implicit motor learning
Articulating the embodied ways of knowing integral to living in the world, as a dancer, has been a long-term commitment in my own research and practice as both an artist and an educator. Consideration of how somatic practices might be integrated into the institutional structures and knowledge in higher education has led me to investigate underlying values in somatic dance and related movement pedagogies. I have been interested to extend discussion about what is valued in somatic dance education, what movement we choose to teach and for what purposes in higher education, and how we might teach movement ethically and inclusively. An initial discussion about embodied somatic values and ethical principles frames description of somatic dance classes. I then ‘massage’ particular ‘tensions’ between different pedagogical approaches including facilitated experiential, discovery-based somatic processes and motor skill learning, to offer some reflections on embodied values and ethical principles for somatic dance.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
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