根据conconnitas精神(和谐、统一和整合的理想)，葡萄牙16至18世纪的建筑修复范例

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY

Conservar Patrimonio Pub Date : 2023-01-01 DOI:10.14568/cp26667

Maria João Baptista Neto

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引用次数: 0

摘要

这项研究的重点是第一代建筑师的崛起，他们意识到根据文艺复兴时期的文化和艺术环境，并从古典论文中获得修复实践。如何干预中世纪的前期存在是这些建筑师必须面对和解决的问题，因为尽管考虑到哥特式不受欢迎，但根据Alberti所说的concinnitas原则，找到一种方法来确保建筑的“一致性”，而不违反其各部分的相互“和谐”，这是至关重要的。采用Panofsky提出的关于中世纪前存在的行为模式的公式:覆盖、延续和妥协，并根据先前研究过的意大利例子，我们试图评估这种操作方式在葡萄牙的实践。从现代时期开始的几个国家案例研究的确定使我们能够证实这一操作，并对葡萄牙建筑修复的概念和实践起源提出新的看法。

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Examples of architectural restoration in Portugal in the 16th to 18th centuries according to the spirit of concinnitas: ideal of harmony, unity and conformity

The study focuses on the rise of a first generation of architects aware of restoration restoration practices according to the Renaissance cultural and artistic environment, and resulting from classical treatises. How to intervene in medieval pre-existences was a problem that these architects had to face and solve, because despite considering Gothic undesirable, it was essential to find a way to ensure the ‘conformity’ of the building, without violating the mutual ‘harmony’ of its parts, according to the principle of concinnitas, as stated by Alberti. Taking the formulation proposed by Panofsky about the modes of action found in medieval pre-existences: overlay, continuance and compromise, and according to Italian examples previously studied, we sought to evaluate the practice, in Portugal, of this modus operandi. The identification of several national case studies from the Modern period allows us to substantiate this operation and to cast a new view on the conceptual and practical genesis of architectural restoration in Portugal.

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来源期刊

Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.80

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.