卡尔莫考古博物馆的埃及棺材:材料和技术研究

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Isabel Pombo Cardoso, T. Quilhó, Vicelina Sousa, Sara Santana de Sá, Susana França de Sá
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引用次数: 0

摘要

拟人灵柩的材料与工艺研究(编号:113989)。该项研究由一个跨学科小组进行,隶属于葡萄牙里斯本的卡尔莫考古博物馆,旨在完成对同一具棺材的现有文字和图像研究,并纠正和完成另一项部分技术研究的数据。根据先前的研究,这具棺材是在低时期和托勒密时期(公元前6至2世纪)开始之间生产的,可能在Akhmim。这项工作提出了关于棺材的木制支撑和多色的结果,以及它目前的保护状态。它包括对对象的宏观和微观检查以及通过XRF,拉曼光谱,FTIR-ATR和SEM对微观样品进行分析表征。在多色材料和支架的生产中发现的材料表明使用了埃及法老时期的传统材料。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Egyptian coffin from the Archaeological Museum of Carmo: material and technical study
The material and technical study of the anthropomorphic coffin (No. Inv. MAC/MUM.1) belonging to the Archaeological Museum of Carmo, in Lisbon, Portugal, carried out by an interdisciplinary team, sought to complete the existing textual and iconographic study on the same coffin, as well as rectify and complete the data from another partial technical study. According to previous studies, the coffin was produced between the Low Period and the beginning of the Ptolemaic period (6th to 2nd centuries BCE), possibly in Akhmim. This work presents results regarding the coffin’s wooden support and polychromy, as well as its current state of conservation. It involved the macro and microscopic examination of the object and the analytical characterization of micro-samples by XRF, Raman spectroscopy, FTIR-ATR, and SEM. The materials identified both in polychromy and in the production of the support indicate the use of materials traditional from the Pharaonic Egypt.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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