阿波罗阿波罗!:《安特卫普对成熟的模糊呼唤》，1561年

Q2 Arts and Humanities

European Medieval Drama Pub Date : 2016-01-01 DOI:10.1484/J.EMD.5.114448

Femke Kramer

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引用次数: 0

摘要

本文探讨了安特卫普剧作家威廉·范·海希特根据奥维德关于迈达斯国王耳朵变形的故事创作的《Tmolus的判决》中看似复杂的信息。在1561年安特卫普Rederijkers戏剧比赛的第一个晚上演出，它的第一幕反映了对“阿波罗”美学的呼吁和对闹剧类型的拒绝。然而，第二幕似乎破坏了这种艺术立场。正如本文所阐明的那样，凡·海希特对变形后果的戏剧化，其中一个理发师发现了迈达斯的耳朵，证明了剧作家对“酒神”闹剧技巧的熟练掌握。

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Apollo, Apollo!: An Ambiguous Call for Sophistication in Antwerp, 1561

This article explores the seemingly mixed messages in the Antwerp playwright Willem van Haecht’s Oordeel van Tmolus (Tmolus’ Verdict), based on Ovid’s tale of the metamorphosis of King Midas’ ears. Performed on the first evening of the 1561 Rederijkers’ theater competition in Antwerp, its first act reflects a call for ‘apollonian’ aesthetics and a rejection of the genre of farce. The second act, however, seems to undermine this artistic stance. As this article clarifies, Van Haecht’s dramatization of the aftermath of the metamorphosis, in which a barber discovers Midas’ ears, testifies to the playwright’s skillful mastery of ‘dionysian’ farce techniques.

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来源期刊

European Medieval Drama Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： European Medieval Drama (EMD) is an annual journal published by Brepols. It was launched in 1997 in association with the International Conferences on Medieval European Drama organised at the University of Camerino, Italy, by Sydney Higgins between 1996 and 1999. The first four volumes of European Medieval Drama (1997-2000) published the Acts of these conferences. This series of conferences was suspended for the foreseeable future in 1999. At the Tenth Triennial Colloquium of the Société Internationale pour l"étude du Théâtre Médiéval (SITM), held in Groningen, the Netherlands, in August 2001, it was proposed that EMD should be published in association with SITM. This proposal has now been approved by all interested parties, and comes into effect as of spring 2002.