{"title":"观众反应的定量和定性评估","authors":"C. Steenbrugge","doi":"10.1484/j.emd.5.116047","DOIUrl":null,"url":null,"abstract":"This paper seeks to highlight the diversity of potential audience responses in the Middle Ages, using the audience feedback from two 2016 performances of the Northampton Abraham and Isaac as a test case. These data demonstrate that at least this play, and presumably medieval drama more generally, trigger widely divergent responses from modern audiences. Moreover, medieval sources strongly suggest that many of these modern responses map extremely well onto the medieval ones.","PeriodicalId":39581,"journal":{"name":"European Medieval Drama","volume":"21 1","pages":"67-83"},"PeriodicalIF":0.0000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Quantitative and Qualitative Assessment of Audience Responses\",\"authors\":\"C. Steenbrugge\",\"doi\":\"10.1484/j.emd.5.116047\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper seeks to highlight the diversity of potential audience responses in the Middle Ages, using the audience feedback from two 2016 performances of the Northampton Abraham and Isaac as a test case. These data demonstrate that at least this play, and presumably medieval drama more generally, trigger widely divergent responses from modern audiences. Moreover, medieval sources strongly suggest that many of these modern responses map extremely well onto the medieval ones.\",\"PeriodicalId\":39581,\"journal\":{\"name\":\"European Medieval Drama\",\"volume\":\"21 1\",\"pages\":\"67-83\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Medieval Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/j.emd.5.116047\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Medieval Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.emd.5.116047","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
A Quantitative and Qualitative Assessment of Audience Responses
This paper seeks to highlight the diversity of potential audience responses in the Middle Ages, using the audience feedback from two 2016 performances of the Northampton Abraham and Isaac as a test case. These data demonstrate that at least this play, and presumably medieval drama more generally, trigger widely divergent responses from modern audiences. Moreover, medieval sources strongly suggest that many of these modern responses map extremely well onto the medieval ones.
期刊介绍:
European Medieval Drama (EMD) is an annual journal published by Brepols. It was launched in 1997 in association with the International Conferences on Medieval European Drama organised at the University of Camerino, Italy, by Sydney Higgins between 1996 and 1999. The first four volumes of European Medieval Drama (1997-2000) published the Acts of these conferences. This series of conferences was suspended for the foreseeable future in 1999. At the Tenth Triennial Colloquium of the Société Internationale pour l"étude du Théâtre Médiéval (SITM), held in Groningen, the Netherlands, in August 2001, it was proposed that EMD should be published in association with SITM. This proposal has now been approved by all interested parties, and comes into effect as of spring 2002.