遗产的破坏:布鲁普半岛的岩石艺术

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
J. A. G. Zarandona
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引用次数: 8

摘要

自20世纪60年代以来,位于半岛战略位置的几家大型企业对Burrup半岛的岩石艺术进行了破坏,这使我能够分析遗产的概念及其意义。解读岩石艺术的邪教任务。布鲁普半岛不仅拥有世界上最大的岩石艺术遗址,也是最大的天然气、铁矿石和盐矿床之一。因此,为了维持澳大利亚蓬勃发展的经济,土地(对土著人民来说是神圣的)变得极其重要。在这种情况下!遗产与进步之间的宗教谈判,岩石艺术被赋予了新的意义,遗产变得短暂。由于未能将该遗址列入世界遗产名录(联合国教科文组织),身份和记忆的作用受到了争议。因此,遗产的概念可以被废除!在几个层面上:地方、区域、国家和国际。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Destruction of Heritage: Rock Art in the Burrup Peninsula
The destruction of rock art in the Burrup Peninsula, performed by several mammoth industries strategically located in the Peninsula since the 1960s, allows me to analyze the concept of heritage and !nd meaning in the dif!cult task of interpreting rock art. The Burrup Peninsula not only hosts the largest rock art site in the world, but also one of the largest deposits of natural gas, iron ore and salt. As a consequence, the land (sacred to the Indigenous people), becomes extremely important in order to sustain the booming economy of Australia. In this dif!cult negotiation between heritage and progress the rock art is embedded with new meanings and the heritage becomes ephemeral. Failing to include the site in the World Heritage Site list (UNESCO), the roles of identity and memory are contested. As a result, the concept of heritage can be de!ned on several levels: local, regional, national and international.
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来源期刊
Journal of Urban Culture Research
Journal of Urban Culture Research HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
40.00%
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