添加庄园壁画与古代主题在爱沙尼亚:aruk la

IF 0.1 0 ART
Hilkka Hiiop
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引用次数: 0

摘要

aruk la庄园建于17世纪下半叶。它的主人是爱沙尼亚最杰出的贵族家庭——从18世纪中叶开始,这座庄园就属于冯·克诺林,还有埃尔维塔、乌德瓦和诺拉庄园;从19世纪20年代到被征用,它一直属于冯·托尔家族。目前这座建筑的帝国风格外观可以追溯到冯·托尔时代。ant Hein在2000年对庄园的历史进行了全面的历史调查。根据他的信息,aruk la有两个伟大的建筑时代。在18世纪晚期,在弗罗姆霍尔德·戈特哈德·冯·克诺林的倡议下,建造了一座宏伟的庄园建筑群,但在1798年庄园夫人卡罗琳去世后,这个家庭就被忽视了。在那之后的一段时间,庄园发生了一场火灾。主楼被修复了,但看起来修复得很粗心。1812年,圣哥达的长子卡尔·乔治接管了庄园。西奥多·冯·伯恩哈德是一位文学家,也是卡尔·格奥尔格的继子
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Additions to Manor Murals with Themes of Antiquity in Estonia: Aruküla
The Aruküla Manor was founded in the second half of the 17th century. Its owners were among the most outstanding noble families in Estonia – from the middle of the 18th century, the manor belonged to von Knorrings, along with the Ervita, Udeva and Norra manors; and from the 1820s until its expropriation it belonged to the von Toll family. The current Empire-style appearance of the building dates back to the von Toll era. A thorough historical survey of the manor’s history was compiled by Ants Hein in 2000.2 Based on his information, there were two great building eras in Aruküla. In the late 18th century, at the initiative of Fromhold Gotthard von Knorring, a grand manor complex was constructed, but the household fell into neglect after the death of Karoline, the lady of the manor, in 1798. And sometime after that, a fire broke out at the manor. The main building was restored, but it seems the renovation was quite careless. In 1812, control of the manor was assumed by Frommhold Gotthard’s oldest son Karl Georg. The writings of Theodor von Bernhard, who was a man of letters and Karl Georg’s stepson, pro-
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来源期刊
CiteScore
0.20
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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