博物馆藏品的发现圣雅各位于肥沃的历史博物馆里,用途是石灰石

IF 0.1 0 ART
Risto Paju
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引用次数: 0

摘要

塔林市博物馆的阿什拉斯收藏品中有一尊雕像,高52.5厘米,由Lasnamagi石灰石(Abb. 1)雕刻而成。它描绘了一个穿着长袍的瘦削男子,脖子上挂着一根手杖和旅行袋。雕像被严重损坏了。除了前面断了,它的头部也不见了,只剩下部分胡须。这篇文章的目的是更仔细地检查雕塑,迄今为止还没有收到任何关注,以确定它描绘的是谁,它可能位于哪里,并检查幸存的油漆痕迹。写这篇文章的主要动机是,爱沙尼亚很少有中世纪的三维石雕幸存下来。此外,在早期的著作中,这个数字没有被处理,甚至没有被提及。可以说,不管它遭受了怎样的破坏,雕塑的完整程度足以确定描绘的是谁。如上所述,该男子右手拿着一根手杖或手杖,根据幸存的碎片,他的右手拿着一本书。在部分幸存的袋子上,我们看到了扇贝的形象(Abb. 2)。权杖和扇贝告诉我们这是圣詹姆斯的形象。这座雕塑是哥特式风格,根据它,它可以追溯到15世纪或16世纪初。雕塑材料——拉斯纳马吉石灰石——引起了人们的注意。这个雕塑应该放在哪里?我们不能否认这个圣人的形象来自一个神圣的建筑,但也可能有圣人在住宅建筑中,例如,在外墙或室内的某个地方。总之,人们必须承认,雕塑的原始位置只能推测,不可能有明确的答案。然而,可以肯定的是,这是一位熟练的大师的作品。尽管拉斯纳马吉石灰石不是最好的雕塑材料,但作品是精细切割和匀称的。这座雕塑现在在爱沙尼亚国家博物馆的新大楼里展出。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ein Fund in der Museumssammlung. Ein Heiliger Jakobus aus Kalkstein in der Sammlung behauener Steine des Tallinner (Revaler) Stadtmuseums
The Collection of Ashlars at the Tallinn City Museum includes a sculpture that stands 52.5 cm tall and is hewn from Lasnamagi limestone (Abb. 1). It depicts a slender man in a long robe, with a staff and travel bag around his neck. The statue has been seriously damaged. In addition to the broken front, its head is also missing – all that has survived is part of its beard. The goal of the article is to more closely examine the sculpture, which has not received any attention to date, in order to determine who it depicts, where it could be been located, and examine the surviving traces of paint. The primary motivation for writing the article is the fact that very few medieval three-dimensional stone sculptures have survived in Estonia. Also, this figure has not been dealt with or even mentioned in earlier writings. It can be said that, regardless of the damage it has suffered, the sculpture is complete enough to determine who is depicted. As stated above, the man has a walking stick or staff in his right hand and, based on the surviving fragments, a book in his right hand. On the partially surviving bag, we see the image of a scallop (Abb. 2). The staff and scallop tell us that this is a figure of St James. The sculpture is gothic in style, and based thereon, it can be dated back to the 15th or early 16th century. The sculptural material – Lasnamagi limestone – arouses attention. Where was this sculpture to be placed? We cannot dismiss the fact that the figure of the saint comes from a sacral building, but there could also have been saints in residential buildings, for example, on exterior facades or somewhere indoors. In summary, one must admit that the original location of the sculpture can only be speculated upon and definite answers are not possible. However, what is certain is that this is the work of a skilled master. Regardless of the fact that Lasnamagi limestone is not the best sculptural material, the work is finely hewn and well-proportioned. The sculpture is now on display in the new Estonian National Museum building.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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