{"title":"神话。天才。艺术:塔尔图大学艺术史系秋季学院","authors":"Holger Rajavee","doi":"10.12697/BJAH.2015.10.08","DOIUrl":null,"url":null,"abstract":"The Autumn School organised by the Department of Art History of the University of Tartu called “Myth. Genius. Art” was held on October 15th and 16th of this year. And as has been the tradition, the fourth Autumn School was conducted in cooperation with the University of Tartu Art Museum. In some respects, this time the event consciously continued the provocative approach of last year’s Autumn School (the title in 2014 was “Art and Beauty”) – with the goal of “revitalizing” concepts and phenomena that have been relegated to the background in art theory during recent decades. Based on the presentations that were heard during the two days, one can say that the choice of topics within the framework of the designated title ended up covering an extremely wide spectrum, which was the other goal of the Autumn School, i.e. to broaden the circle of topics to include as many facets as possible by including presentations by specialists from different fields. Philosopher and man of letters Ulo Matjus, who is the Professor of Estonian Philosophy at the University of Tartu, started the first day off with his presentation, “Art in the Era of Realizing Modern History”. Well-known for having “Estonianized” the works of Martin Heidegger, Matjus dealt with the change in the meaning of art in the present day through the author. Based on Heidegger’s statement that art is a machin-","PeriodicalId":52089,"journal":{"name":"Baltic Journal of Art History","volume":"44 1","pages":"167-170"},"PeriodicalIF":0.1000,"publicationDate":"2015-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Myth. Genius. Art: The Autumn School of Department of Art History of the University of Tartu\",\"authors\":\"Holger Rajavee\",\"doi\":\"10.12697/BJAH.2015.10.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Autumn School organised by the Department of Art History of the University of Tartu called “Myth. Genius. Art” was held on October 15th and 16th of this year. And as has been the tradition, the fourth Autumn School was conducted in cooperation with the University of Tartu Art Museum. In some respects, this time the event consciously continued the provocative approach of last year’s Autumn School (the title in 2014 was “Art and Beauty”) – with the goal of “revitalizing” concepts and phenomena that have been relegated to the background in art theory during recent decades. Based on the presentations that were heard during the two days, one can say that the choice of topics within the framework of the designated title ended up covering an extremely wide spectrum, which was the other goal of the Autumn School, i.e. to broaden the circle of topics to include as many facets as possible by including presentations by specialists from different fields. Philosopher and man of letters Ulo Matjus, who is the Professor of Estonian Philosophy at the University of Tartu, started the first day off with his presentation, “Art in the Era of Realizing Modern History”. Well-known for having “Estonianized” the works of Martin Heidegger, Matjus dealt with the change in the meaning of art in the present day through the author. Based on Heidegger’s statement that art is a machin-\",\"PeriodicalId\":52089,\"journal\":{\"name\":\"Baltic Journal of Art History\",\"volume\":\"44 1\",\"pages\":\"167-170\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2015-12-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Baltic Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12697/BJAH.2015.10.08\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12697/BJAH.2015.10.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Myth. Genius. Art: The Autumn School of Department of Art History of the University of Tartu
The Autumn School organised by the Department of Art History of the University of Tartu called “Myth. Genius. Art” was held on October 15th and 16th of this year. And as has been the tradition, the fourth Autumn School was conducted in cooperation with the University of Tartu Art Museum. In some respects, this time the event consciously continued the provocative approach of last year’s Autumn School (the title in 2014 was “Art and Beauty”) – with the goal of “revitalizing” concepts and phenomena that have been relegated to the background in art theory during recent decades. Based on the presentations that were heard during the two days, one can say that the choice of topics within the framework of the designated title ended up covering an extremely wide spectrum, which was the other goal of the Autumn School, i.e. to broaden the circle of topics to include as many facets as possible by including presentations by specialists from different fields. Philosopher and man of letters Ulo Matjus, who is the Professor of Estonian Philosophy at the University of Tartu, started the first day off with his presentation, “Art in the Era of Realizing Modern History”. Well-known for having “Estonianized” the works of Martin Heidegger, Matjus dealt with the change in the meaning of art in the present day through the author. Based on Heidegger’s statement that art is a machin-
期刊介绍:
THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.