{"title":"儿童文学中的莎士比亚批评与表演:《夏日之光》与《贝卡","authors":"P. Smith","doi":"10.1353/jeu.2020.0022","DOIUrl":null,"url":null,"abstract":"Abstract:In this article, I seek to place Zibby Oneal's In Summer Light and Diedre Baker's Becca Fair and Foul in dialogue with the body of texts that adapt Shakespeare's works into literature for children. In each of these novels, young women interpret and adapt Shakespeare's The Tempest. Both texts are self-reflexive adaptations; the stories themselves resonate thematically and geographically with The Tempest, and yet both are overtly conscious of the process and politics of adaptation containing, as they do, characters who interpret and critique Shakespeare's text.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/jeu.2020.0022","citationCount":"0","resultStr":"{\"title\":\"Shakespeare Criticism and Performance in Children's Literature: In Summer Light and Becca Fair and Foul\",\"authors\":\"P. Smith\",\"doi\":\"10.1353/jeu.2020.0022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In this article, I seek to place Zibby Oneal's In Summer Light and Diedre Baker's Becca Fair and Foul in dialogue with the body of texts that adapt Shakespeare's works into literature for children. In each of these novels, young women interpret and adapt Shakespeare's The Tempest. Both texts are self-reflexive adaptations; the stories themselves resonate thematically and geographically with The Tempest, and yet both are overtly conscious of the process and politics of adaptation containing, as they do, characters who interpret and critique Shakespeare's text.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/jeu.2020.0022\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jeu.2020.0022\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jeu.2020.0022","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Shakespeare Criticism and Performance in Children's Literature: In Summer Light and Becca Fair and Foul
Abstract:In this article, I seek to place Zibby Oneal's In Summer Light and Diedre Baker's Becca Fair and Foul in dialogue with the body of texts that adapt Shakespeare's works into literature for children. In each of these novels, young women interpret and adapt Shakespeare's The Tempest. Both texts are self-reflexive adaptations; the stories themselves resonate thematically and geographically with The Tempest, and yet both are overtly conscious of the process and politics of adaptation containing, as they do, characters who interpret and critique Shakespeare's text.