科幻小说中植物与人体的交叉感染

IF 0.2 4区 文学 0 LITERATURE
Heather I. Sullivan
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引用次数: 0

摘要

摘要:当看似惰性的植物逃脱了营养食物的范畴,反而成为植物疾病的传播者,感染我们的身体,或将我们变成植物-人类的混血儿,甚至是植物注入的僵尸时,这尤其令人不安。本文分析了三种科幻小说的生态和营养意义,其中植物感染人体或将其作为一种行走的土壤发芽:保罗·巴西加卢皮的小说《上气女孩》(2009年),奥利维亚·维维格的德语漫画小说《EndZeit》[EndTime, 2018年],以及Nnedi Okorafor的漫画小说《拉瓜迪亚》(2019年)。这些文本将植物与人类的关系呈现为乌托邦式的、基于亲属关系的关系,或者是可怕的跨物种疾病载体,创造了人类与植物的僵尸,揭示了人类身体总是可怕的虚幻这一生态事实的各个方面。事实上,正如安娜·青等人在《受损星球上的生活艺术》(2017)中所描述的那样,所有生物都是由与细菌、病毒、真菌等其他生物以及它们所消耗的物种的多物种纠缠组成的。Bacigalupi, Vieweg和Okorafor将我们与植物的生态纠缠和依赖转变为身体入侵的令人不安和庆祝的愿景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cross-Infections of Vegetal-Human Bodies in Science Fiction
ABSTRACT:It is particularly disturbing when seemingly inert plants escape the category of nourishing food and instead become transmitters of vegetal diseases infecting our human bodies or transforming us into plant-human hybrids or even plant-infused zombies. This article analyzes the ecological and alimentary implications of three sf texts in which plants infect human bodies or use them as a kind of walking soil from which to sprout: Paolo Bacigalupi's novel The Windup Girl (2009), Olivia Vieweg's German-language graphic novel, EndZeit [EndTime, 2018], and Nnedi Okorafor's graphic novel LaGuardia (2019). Presenting plant-human relations as either utopian and kinship-based or as horrific cross-species disease vectors creating human-plant zombies, these texts reveal aspects of the ecological fact that human bodies are always monstrously chimerical. All living things are, in fact, composed of multispecies entanglements with other beings such as bacteria, viruses, and fungi, as well as the species they consume, as described by Anna Tsing et al. in Arts of Living on a Damaged Planet (2017). Bacigalupi, Vieweg, and Okorafor transform our ecological entanglements with and dependence on plants into both disturbing and celebratory sf visions of bodily invasion.
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来源期刊
CiteScore
0.40
自引率
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发文量
75
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