The Problem of the Actress in Modern German Theater and Thought by S. E. Jackson (review)

principle of becoming, which valued imitation of the creative process as viewed in nature over imitation of a completed artwork (natura naturans rather than natura naturata as Arne Zerbst underscores). The romantics looked at here considered art a process relying on relayed communication between author and audience, ultimately consummated by the viewer. Likewise, the editors encourage viewing this volume as a springboard for interdisciplinary research to be taken up by its readers. Paulina Choh, Stanford University