欣迪亚,神秘主义者和罪犯,1720-1798:黎巴嫩的政治和宗教危机

IF 0.2 3区 历史学 Q2 HISTORY
R. van Leeuwen
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引用次数: 7

摘要

满足于为自己写作。波托尼提出了一个重要的问题,不幸的是,她并没有试图回答这个问题:如果一个年轻的女人完全不识字,或者只会用羽毛笔在纸上写字,她怎么能服从导演的命令,至少在一开始是这样?作者尽职尽责地引用了大部分关于早期现代女性读写能力的学术研究,但没有加以运用。对于书中再现的笔迹样本,她也只是做了一些肤浅的观察。波切里尼是一名教育工作者,后来又自称是方济各会第三修会的成员,毫不奇怪,他用流畅的草书书写。在这三个几乎没有受过教育的人当中,科勒或许还有布朗迪(他们的许多作品只在别人抄写的副本中流传下来)都是用印刷体写的,而不是用单词把字母连在一起。比昂迪仍然是个谜。尽管作者对此不屑一顾,但她掌握了精湛的草书技巧。她一定有帮手。谁提供的?是她那固执的第一任导演,奥拉托利教徒安东尼奥·加埃塔诺·布蒂,还是别的什么人?答案可能不确定,但至少波托尼可能已经推测过了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hindiyya, Mystic and Criminal, 1720–1798: A Political and Religious Crisis in Lebanon by Bernard Heyberger (review)
isfaction in writing for themselves. Bottoni raises an important question that, unfortunately, she does not attempt to answer: how, at least in the beginning, could a young woman obey her director’s command if she were completely illiterate or possessed only minimal skill in putting quill to paper? The author dutifully cites most of the scholarship on early-modern female literacy but does not put it to use. Nor does she make more than superficial observations about the handwriting samples reproduced in the book. Unsurprisingly, Boccherini, educanda in and then professed member of a Third Order Franciscan house, wrote in a fluent cursive hand. Among the three who had received little or no education, Colle and perhaps Brondi (many of whose writings survive only in copies made by others) wrote in print, without joining the letters in words. Biondi remains a mystery. Despite the author’s dismissive remarks to the contrary, she mastered a sophisticated cursive hand. She must have had help. Who provided it? Was it her inflexible first director, the Oratorian Antonio Gaetano Buti, or someone else? The answer may not be certain, but at least Bottoni might have speculated.
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CiteScore
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