晚期盎格鲁-撒克逊英格兰的主教文化(回顾)

IF 0.2 3区 历史学 Q2 HISTORY
Richard W. Pfaff
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引用次数: 0

摘要

他的业余时间和退休生活。四篇文章论述了围绕《模仿》作者身份的激烈的现代争议。四个学者采取了它的神学;三是荷兰语、德语和法语的早期传播;五是考虑多马的其他作品,特别是《新对话》(早期《现代祈祷》的重要信息来源);二是托马斯的歌曲和赞美诗(关于这一点,比模仿更缺乏清晰度)。这些文章都是高标准的,尤其是那些分析早期手稿和出版证据的文章,比如维尔纳·威廉姆斯-克拉普关于上德语翻译的文章,斯特凡·苏德曼关于《新生对话》文本的文章,汤姆·默腾斯关于《布道和新生》的文章,乌尔丽克·哈斯切尔-伯格关于赞美诗的文章,以及吉塞拉·科恩伦夫关于各种歌词的文章。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Episcopal Culture in Late Anglo-Saxon England (review)
his spare time and retirement. Four essays treat the fierce early-modern controversies surrounding authorship of the Imitatio. Four scholars take up its theology; three its early transmission in Dutch, German, and French respectively; five consider other works by Thomas, especially the Dialogus noviciorum (a key source of information about the early Devotio Moderna); and two the songs and hymns attributed to Thomas (about which there is even more lack of clarity than the Imitatio). The essays are of a high standard, especially those that analyze early manuscript and publication evidence, such as Werner Williams-Krapp’s on Upper German translations, Stefan Sudmann’s on the text of the Dialogus noviciorum,Thom Mertens’s on the Sermones ad novicios regulares, Ulrike Hascher-Burger’s on the hymns, and Gisela Kornrumpf’s on various lyrics set to music.
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CiteScore
0.20
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60
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