{"title":"阿维拉大教堂的圣堂:西班牙的意大利神龛。","authors":"Ismael Mont Muñoz","doi":"10.12795/la.2019.i31.04","DOIUrl":null,"url":null,"abstract":"espanolVasco de la Zarza ha pasado a la Historia del Arte como uno de los introductores de la escultura del Renacimiento italiano en Espana. Actualmente, solo conocemos trabajos suyos dentro de las fronteras espanolas, pero la estrecha vinculacion que presentan con el arte italiano ha permitido plantear la hipotesis de que estuvo en Italia. Una de sus obras cumbres es el sagrario del retablo mayor de la catedral de Avila. La excepcionalidad de esta pieza se debe a su valor artistico, historico, iconografico y simbolico. Pero ademas de todo ello, destaca porque sigue un modelo de sagrario unico en la Espana de su epoca, que nos remite directamente a piezas italianas, tema que no ha sido tratado con anterioridad EnglishVasco de la Zarza has gone down in History of Art as one of the initiators of Italian Renaissance sculpture in Spain. All the works we know are within the Spanish borders, but the close relation they have with Italian art has allowed us to hypothesize he was in Italy. One of his masterpieces is the tabernacle of the main altarpiece of the Cathedral of Avila. The exceptionality of this piece of art is due to its artistic, historical, iconographic and symbolic value. In addition, it stands out because it follows a model of a unique tabernacle in the Spain of its time, which refers us directly to Italian pieces, a subject that hasn’t been treated before.","PeriodicalId":43219,"journal":{"name":"Laboratorio de Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El sagrario de la catedral de Ávila: un tabernacolo italiano en España.\",\"authors\":\"Ismael Mont Muñoz\",\"doi\":\"10.12795/la.2019.i31.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"espanolVasco de la Zarza ha pasado a la Historia del Arte como uno de los introductores de la escultura del Renacimiento italiano en Espana. Actualmente, solo conocemos trabajos suyos dentro de las fronteras espanolas, pero la estrecha vinculacion que presentan con el arte italiano ha permitido plantear la hipotesis de que estuvo en Italia. Una de sus obras cumbres es el sagrario del retablo mayor de la catedral de Avila. La excepcionalidad de esta pieza se debe a su valor artistico, historico, iconografico y simbolico. Pero ademas de todo ello, destaca porque sigue un modelo de sagrario unico en la Espana de su epoca, que nos remite directamente a piezas italianas, tema que no ha sido tratado con anterioridad EnglishVasco de la Zarza has gone down in History of Art as one of the initiators of Italian Renaissance sculpture in Spain. All the works we know are within the Spanish borders, but the close relation they have with Italian art has allowed us to hypothesize he was in Italy. One of his masterpieces is the tabernacle of the main altarpiece of the Cathedral of Avila. The exceptionality of this piece of art is due to its artistic, historical, iconographic and symbolic value. In addition, it stands out because it follows a model of a unique tabernacle in the Spain of its time, which refers us directly to Italian pieces, a subject that hasn’t been treated before.\",\"PeriodicalId\":43219,\"journal\":{\"name\":\"Laboratorio de Arte\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Laboratorio de Arte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12795/la.2019.i31.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Laboratorio de Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12795/la.2019.i31.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
西班牙人瓦斯科·德拉扎扎(vasco de la Zarza)作为意大利文艺复兴时期雕塑在西班牙的引入者之一,进入了艺术史。目前,我们只知道他在西班牙的作品,但这些作品与意大利艺术的密切联系让我们假设他曾在意大利。他的主要作品之一是阿维拉大教堂主祭坛的圣堂。这幅作品的独特之处在于它的艺术、历史、肖像和象征价值。这一切,但他强调因为帐幕唯一在西班牙政治模式的时候,我们直接援引意大利零件,不被讨论过的石南EnglishVasco之前完美down in History of Art as one of the initiators of意大利复兴编曲in Spain。= =地理= =根据美国人口普查,这个县的土地面积为,其中土地面积为。= =地理= =根据美国人口普查,该镇的土地面积为。这幅作品的独特之处是它的艺术、历史、肖像和象征价值。此外,它的特点是,它遵循了一个独特的礼拜堂的模式,在西班牙的时代,我们直接提到意大利的作品,一个主题,以前没有处理过。
El sagrario de la catedral de Ávila: un tabernacolo italiano en España.
espanolVasco de la Zarza ha pasado a la Historia del Arte como uno de los introductores de la escultura del Renacimiento italiano en Espana. Actualmente, solo conocemos trabajos suyos dentro de las fronteras espanolas, pero la estrecha vinculacion que presentan con el arte italiano ha permitido plantear la hipotesis de que estuvo en Italia. Una de sus obras cumbres es el sagrario del retablo mayor de la catedral de Avila. La excepcionalidad de esta pieza se debe a su valor artistico, historico, iconografico y simbolico. Pero ademas de todo ello, destaca porque sigue un modelo de sagrario unico en la Espana de su epoca, que nos remite directamente a piezas italianas, tema que no ha sido tratado con anterioridad EnglishVasco de la Zarza has gone down in History of Art as one of the initiators of Italian Renaissance sculpture in Spain. All the works we know are within the Spanish borders, but the close relation they have with Italian art has allowed us to hypothesize he was in Italy. One of his masterpieces is the tabernacle of the main altarpiece of the Cathedral of Avila. The exceptionality of this piece of art is due to its artistic, historical, iconographic and symbolic value. In addition, it stands out because it follows a model of a unique tabernacle in the Spain of its time, which refers us directly to Italian pieces, a subject that hasn’t been treated before.