{"title":"理论检视这些复写文本","authors":"Aslı Iğsız","doi":"10.1215/21599785-9015288","DOIUrl":null,"url":null,"abstract":"\n How do we connect the past with the present to address structural problems? While the pursuit of a cause-and-effect past flowing into the present contributes to the understanding of an event or object, how that past is recalled, represented, related, disconnected, suppressed, and/or obfuscated in any given present matters. This article proposes palimpsests as a critical tool for analyzing the many histories of the present. To illustrate this theoretical practice, the article offers a palimpsestic reading of a museumized object, the Nubian Temple of Dendur, now at the Metropolitan Museum of Art in New York City. The structural nature of a history of the present comes into view only when one is able to discern multiple histories, presents, categories, and objects layered together within the palimpsest of history.","PeriodicalId":90843,"journal":{"name":"History of the present (Champaign, Ill.)","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Theorizing Palimpsests\",\"authors\":\"Aslı Iğsız\",\"doi\":\"10.1215/21599785-9015288\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n How do we connect the past with the present to address structural problems? While the pursuit of a cause-and-effect past flowing into the present contributes to the understanding of an event or object, how that past is recalled, represented, related, disconnected, suppressed, and/or obfuscated in any given present matters. This article proposes palimpsests as a critical tool for analyzing the many histories of the present. To illustrate this theoretical practice, the article offers a palimpsestic reading of a museumized object, the Nubian Temple of Dendur, now at the Metropolitan Museum of Art in New York City. The structural nature of a history of the present comes into view only when one is able to discern multiple histories, presents, categories, and objects layered together within the palimpsest of history.\",\"PeriodicalId\":90843,\"journal\":{\"name\":\"History of the present (Champaign, Ill.)\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of the present (Champaign, Ill.)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/21599785-9015288\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of the present (Champaign, Ill.)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/21599785-9015288","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
我们如何将过去与现在联系起来,以解决结构性问题?而对过去的因果关系的追求流入到现在有助于理解一个事件或对象,过去是如何被回忆、表现、相关、断开、抑制和/或混淆在任何给定的现在的事情。这篇文章提出,重写本是分析当今许多历史的重要工具。为了说明这一理论实践,这篇文章对一件博物馆化的文物——现藏于纽约大都会艺术博物馆(Metropolitan Museum of Art)的努比亚丹杜尔神庙(Nubian Temple of Dendur)进行了重写式解读。只有当一个人能够在历史的重写本中辨别多重历史、呈现、类别和对象时,当下历史的结构本质才会显现出来。
How do we connect the past with the present to address structural problems? While the pursuit of a cause-and-effect past flowing into the present contributes to the understanding of an event or object, how that past is recalled, represented, related, disconnected, suppressed, and/or obfuscated in any given present matters. This article proposes palimpsests as a critical tool for analyzing the many histories of the present. To illustrate this theoretical practice, the article offers a palimpsestic reading of a museumized object, the Nubian Temple of Dendur, now at the Metropolitan Museum of Art in New York City. The structural nature of a history of the present comes into view only when one is able to discern multiple histories, presents, categories, and objects layered together within the palimpsest of history.