"在所有真正基督徒的手中和心中"

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
J. Swann
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引用次数: 1

摘要

当代对乔治·赫伯特的诗集《神庙》的热烈欢迎已经被大量的现代学者清楚地证明了。本文展示了如何通过从《神庙》的特定副本中提取读者的物质证据来补充这一工作。通过调查读者对1633年至1709年间出版的120多本《圣殿》的评价,该研究证实,《圣殿》受到了热情和积极的读者的欢迎。虽然书中的标记经常表明它有时被用于“俗化”的句子和宗教格言,但本文表明赫伯特的诗歌也吸引了更多微妙的文学参与。17世纪晚期,这本书在私人和公共图书馆的销售和收购同样表明,《圣殿》扮演着双重角色,有时与其他虔诚的文本(如《诗篇》)有关,有时与新兴的世俗文学类别有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“In the hands and hearts of all true Christians”
The lively contemporary reception of George Herbert’s book of poems The Temple has been clearly demonstrated by a substantial body of modern scholarship. This article shows how that body of work can be complemented through material evidence of readership drawn from from specific copies of The Temple. By investigating readers’ marks in over 120 copies of the book published between 1633 and 1709, it confirms that The Temple was received with enthusiasm and active readership. While marks in the book often suggest that it was sometimes used for the “commonplacing” of sententious phrases and religious maxims, this article demonstrates how Herbert’s poems also attracted more nuanced literary engagements. The sale and acquisition of the book in private and public libraries in the late seventeenth century likewise suggest that The Temple held a dual role, sometimes positioned in relation to other devotional texts (like the Book of Psalms), and sometimes in a relation to the emerging category of secular literature.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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