苏德海姆鲁道夫的《圣地论》中书面和口头知识来源的权威

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Christine Gadrat-Ouerfelli
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引用次数: 1

摘要

1341年,德国牧师Ludolf of Sudheim从圣地回来后,他写了一份旅行记录,比学者们想象的要复杂得多。鲁道夫扩大了朝圣叙事的类型,他借鉴了书面资料,如Hethum的《Flos historiarum Terre Orientis》和William of Boldensele的《Liber de quibusdam ultramarinis partibus》,同时将他在旅行中接触到的口头知识来源融入到他的叙事中。朝圣文学经常被学者们诋毁为重复、客观和缺乏独创性。然而,如果学者们对朝圣写作采取一种不那么历史主义的方法,而对《圣地之旅》等叙事的价值观和策略更加开放,那么研究就可以有意义地集中在所谓的朝圣作者的“精神图书馆”上——在朝圣叙事的复杂知识生产过程中,他们可以随意使用的所有书面和口头资源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Authority of Written and Oral Sources of Knowledge in Ludolf of Sudheim’s De itinere Terre Sancte
After the German priest Ludolf of Sudheim returned from the Holy Land in 1341, he wrote an account of his travels that is far more complex than scholars have assumed. Ludolf expanded the genre of pilgrimage narrative in the way he draws on written sources, such as Hethum’s Flos historiarum Terre Orientis and William of Boldensele’s Liber de quibusdam ultramarinis partibus, while blending into his narrative oral sources of knowledge picked up from his personal contacts while traveling. Pilgrimage literature has often been denigrated by scholars for being repetitive, impersonal, and lacking originality. Yet if scholars were to adopt a less historiographically presentist approach to pilgrimage writing that is more open to the values and strategies of narratives like De itinere Terre Sancte, research could meaningfully focus on what might be called the “mental library” of pilgrim-authors — the full range of written and oral resources at their disposal in the complex processes of knowledge production in pilgrimage narrative.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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