{"title":"Coalbrookdale和铁桥——艺术家视角下的新见解","authors":"David De Haan","doi":"10.1179/1758120615Z.00000000062","DOIUrl":null,"url":null,"abstract":"Abstract Recent research has revealed that a considerable amount of previously unknown and unpublished information is buried within artists’ responses to Coalbrookdale and particularly the Iron Bridge. This paper is a reappraisal of some of those works, especially by Francis Vivares, Thomas Farnolls Pritchard, Elias Martin, John Edmunds, William Williams and Edward Edgcombe.","PeriodicalId":53171,"journal":{"name":"International Journal for the History of Engineering and Technology","volume":"85 1","pages":"168 - 192"},"PeriodicalIF":0.2000,"publicationDate":"2015-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/1758120615Z.00000000062","citationCount":"1","resultStr":"{\"title\":\"Coalbrookdale and the Iron Bridge — New Insights from the Artists’ Views\",\"authors\":\"David De Haan\",\"doi\":\"10.1179/1758120615Z.00000000062\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Recent research has revealed that a considerable amount of previously unknown and unpublished information is buried within artists’ responses to Coalbrookdale and particularly the Iron Bridge. This paper is a reappraisal of some of those works, especially by Francis Vivares, Thomas Farnolls Pritchard, Elias Martin, John Edmunds, William Williams and Edward Edgcombe.\",\"PeriodicalId\":53171,\"journal\":{\"name\":\"International Journal for the History of Engineering and Technology\",\"volume\":\"85 1\",\"pages\":\"168 - 192\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2015-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1179/1758120615Z.00000000062\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal for the History of Engineering and Technology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1179/1758120615Z.00000000062\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"HISTORY & PHILOSOPHY OF SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal for the History of Engineering and Technology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1179/1758120615Z.00000000062","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
Coalbrookdale and the Iron Bridge — New Insights from the Artists’ Views
Abstract Recent research has revealed that a considerable amount of previously unknown and unpublished information is buried within artists’ responses to Coalbrookdale and particularly the Iron Bridge. This paper is a reappraisal of some of those works, especially by Francis Vivares, Thomas Farnolls Pritchard, Elias Martin, John Edmunds, William Williams and Edward Edgcombe.