{"title":"查普索与法国古典戏剧的表演","authors":"C. J. Gossip","doi":"10.1179/175226909X445231","DOIUrl":null,"url":null,"abstract":"Abstract Chappuzeau's Le Théâtre françois was published in 1674, being the first description of day-to-day operations in the Paris theatres as well as containing several arguments in favour of drama and against the doctrinaires who opposed it. A slightly earlier version of the work, in an autograph manuscript dedicated to the newly established Guénégaud theatre company, offers evidence of the author's more robust references to Catholic clergy and greater exuberance in his comments on authors and their works and on the acting profession. Taken together with remarks contained in two printings of Chappuzeau's L'Europe vivante (1666–67), the 1673 text provides a setting for information about performance days, premières and seasonal preferences which, although retained in the printed edition, does not accord with what is known of actual practice.","PeriodicalId":88312,"journal":{"name":"Seventeenth-century French studies","volume":"31 1","pages":"13 - 3"},"PeriodicalIF":0.0000,"publicationDate":"2009-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1179/175226909X445231","citationCount":"0","resultStr":"{\"title\":\"Chappuzeau and the Performance of French Classical Drama\",\"authors\":\"C. J. Gossip\",\"doi\":\"10.1179/175226909X445231\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Chappuzeau's Le Théâtre françois was published in 1674, being the first description of day-to-day operations in the Paris theatres as well as containing several arguments in favour of drama and against the doctrinaires who opposed it. A slightly earlier version of the work, in an autograph manuscript dedicated to the newly established Guénégaud theatre company, offers evidence of the author's more robust references to Catholic clergy and greater exuberance in his comments on authors and their works and on the acting profession. Taken together with remarks contained in two printings of Chappuzeau's L'Europe vivante (1666–67), the 1673 text provides a setting for information about performance days, premières and seasonal preferences which, although retained in the printed edition, does not accord with what is known of actual practice.\",\"PeriodicalId\":88312,\"journal\":{\"name\":\"Seventeenth-century French studies\",\"volume\":\"31 1\",\"pages\":\"13 - 3\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2009-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1179/175226909X445231\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Seventeenth-century French studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1179/175226909X445231\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Seventeenth-century French studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1179/175226909X445231","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Chappuzeau的Le thth tre franois出版于1674年,是第一本描述巴黎剧院日常运作的书,其中包含了支持戏剧和反对戏剧的教条主义者的几个论点。这部作品的一个稍早的版本,在一份给新成立的古姆萨姆格剧院公司的亲笔手稿中,提供了证据,证明作者更有力地提到了天主教神职人员,在他对作家及其作品和表演职业的评论中更加丰富。1673年的文本与查普措的《欧洲的生活》(1666-67)两版中所载的评论结合在一起,提供了有关演出日期、预演日期和季节偏好的信息设置,这些信息虽然保留在印刷版中,但与已知的实际做法不符。
Chappuzeau and the Performance of French Classical Drama
Abstract Chappuzeau's Le Théâtre françois was published in 1674, being the first description of day-to-day operations in the Paris theatres as well as containing several arguments in favour of drama and against the doctrinaires who opposed it. A slightly earlier version of the work, in an autograph manuscript dedicated to the newly established Guénégaud theatre company, offers evidence of the author's more robust references to Catholic clergy and greater exuberance in his comments on authors and their works and on the acting profession. Taken together with remarks contained in two printings of Chappuzeau's L'Europe vivante (1666–67), the 1673 text provides a setting for information about performance days, premières and seasonal preferences which, although retained in the printed edition, does not accord with what is known of actual practice.