我们也是法国人,但不同

Nabil Echchaibi
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引用次数: 24

摘要

很少有人尝试根据媒体研究中最近的理论和方法发展来严格审查移民问题(就人口和文化的流动而言)。研究的重点主要是移徙者在东道国主流媒体中的代表性和接受情况。虽然这条研究路线仍然有价值,但它模糊了移民作为另类媒体渠道的积极参与者和生产者的作用,这些渠道有助于表达他们的散居经历。本文讨论了在法国的北非年轻人如何通过广播和音乐,与不同的文化形式进行协商、精心设计和重新利用,从而在法国文化中为自己开辟一席之地。对生产的关注阐明了媒体作为一个场所的价值,在这里,单一形式的文化归属被拒绝,新的混合种族被锻造。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
We Are French Too, but Different
There have been very few attempts to critically examine the issue of migration (in terms of the movement of people and cultures) in the light of recent theoretical and methodological developments in media studies. Research has focused mainly on migrants' representation in and reception of the mainstream media of the host country. While this line of research is still valuable, it obscures the role of migrants as active participants and producers of alternative media outlets that help in the articulation of their diasporic experience. This article discusses how, through radio and music, young North Africans in France negotiate, elaborate and reappropriate different cultural forms to carve out a place for themselves in French culture. A focus on production illuminates the value of media as a site where monolithic forms of cultural belonging are rejected and new hybrid ethnicities are forged.
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