书评:安东尼奥·卡特法莫,舞蹈恶魔起义(诗歌2014 - 2021)

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
Nino Famà
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引用次数: 0

摘要

第二部分是对几首十四行诗的细读。在第六章《但丁全球谩骂中的幽默与邪恶》中,阿普劳索对《神曲》中谩骂诗歌的批判性解读揭示了但丁“不仅将他的谩骂指向单个个人、政党或团体,而且指向整个政治机构及其领导人”的方式(第231页)。作者认为,但丁的诗歌与他在专著中收录的其他诗歌相吻合,“喜剧谩骂仍然可以被视为喜剧诗歌,同时包含了严肃的道德指控”(第231页)。阿普劳索所分析的章节(地狱篇第十九章,炼狱篇第六章和天堂篇第二十七章)是完美的例子,其中“激进的口头表面和公开的修辞策略”正在努力吸引但丁的读者,“为他们提供面对不法行为的可能反应”(第234页)。最后一章作为一个简短的总结,并以一个问题的形式邀请进一步的研究:战时谩骂诗的伦理:一种侵略行为还是与他者的相遇?掌声暗示着对这一流派的重新评价和复兴。在前者的情况下,他敦促“在谩骂的类型和他呼吁他人的概念背后有一个强大的伦理项目”(第297页),而对于后者,他写道,我们应该“复兴那些目前仍被标记为少数派的众多作家”(第299页)。通过但丁的“喜剧”和中世纪意大利的谩骂伦理:幽默与邪恶,中世纪研究的学者(包括历史、文学批评和语言学的学者)将受益于阿普劳索的作品所开辟的更大的优势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Book review: Antonio Catalfamo, La rivolta dei demoni ballerini (poesie 2014–2021)
life, and the second part comprehends a close reading of several sonnets. In Chapter Six, Humor and Evil in Dante’s Global Invective, Applauso’s critical read of invective poetry in the Divine Comedy reveals the way that Dante “directs his invective not merely toward single individuals, parties or groups, but to the entire political institutions and their leaders” (p. 231). Dante’s poetry, the author argues, fits in with the others he includes in the monography, and “the Commedia invective could be still perceived as comic poetry while containing a serious ethical charge” (p. 231). The Cantos analyzed by Applauso (Inferno XIX, Purgatorio VI and Paradiso XXVII) are the perfect examples in which “the aggressive verbal surface and overt rhetorical strategies” are working to engage Dante’s readers “offering them possible responses in the face of wrongdoing” (p. 234). The last chapter serves as a brief conclusion and an invitation for further research in the form of a question: The Ethics of Invective Poetry in Wartime: An Act of Aggression or Encounter with the Other? Applauso suggests both a reevaluation and revival of the genre. In the case of the former, he urges a “strong ethical project behind the genre of vituperation and his notion of calling upon the other” (p. 297), and, for the latter, he writes that we should “revive the numerous authors who are currently still labeled as minori” (p. 299). Through Dante’s “Comedy” and the Ethics of Invective in Medieval Italy: Humor and Evil, scholars of medieval studies (including those in history, literary criticism, and linguistics) will benefit from the larger vantage Applauso’s work has opened up.
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来源期刊
Forum Italicum
Forum Italicum Multiple-
CiteScore
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